More farewells

The first of this year’s Les Adieux concerts for departing members of the Ensemble Studio took place Tuesday lunchtime in the RBA.  It was supposed to feature Brian Cho, Mattia Senesi, Korin Thomas-Smith and Karoline Podolak but Karoline was indisposed so Emily Rocha (not leaving) jumped in at the last minute.

The rearranged programme worked pretty well with maybe a bit more opportunity for the pianists.  Sio, Mattia  played the Intermezzo from Brahms’ Op 118. No. 2, which was very nicely done and Brian closed things out with just the piano part from Schumann’s Widmung which works surprisingly well, at least if one is familiar with the song. Continue reading

Brews, Beauties and Brawlers

So on Saturday night at St.Olave’s CE I finally managed to catch a concert in the Apocryphonia series.  It was titled Brews, Beauties and Brawlers and was billed as “classical” meets “punk”.  It was a collection of pieces for piano, solo voice and/or choir and organiser Alexander Capellazzo had recruited four voices of each type with soloists coming from the group.  Narmina Afaniyeva was at the piano.  Everybody (and some of the audience) had dressed for the occasion!

Continue reading

Three Islands

Three Islands is a UoT Opera show that opened at the Sandra Faire and Ivan Fecan Theatre at York University on Thursday night.  The show is conceived and directed by Tim Albery who has wrapped two 20th century English language one act operas in a wrapper crafted from Kaija Saariaho’s Tempest Songbook.

DSC_3639

Ariel’s Hail from Tempest Songbook (Saariaho): Prospero – Ben Wallace, Ariel – Aemilia Moser

Continue reading

The Whole Gang and Then Some

heliconian-club-2022-4-1024x768The final programme of Confluence Concerts season took place at Heliconian Hall on Wednesday night.  It was billed as The Confluence Songbook and, if there was a theme, it was about doing live versions of music that had been streamed during the Plague.  But really by the time we saw it it had outgrown that.  For, in addition to the full line up of Confluence artistic associates there was a raft of guests which resulted in a fairly lengthy and very eclectic programme. Continue reading

The (evil) life of a baritone

English baritone Roland Wood, accompanied by Simone Luti, gave a rather unusual, themed, recital n the RBA on Tuesday lunchtime.  It was structured around the typical career path of a baritone and was narrated engagingly by Wood with lots of fun being had with the traditional rivalry between tenors (useless wimps who always get the girl) and baritones (evil sociopaths who never do).

DI-06490 Continue reading

Norcop Prize 2023

Thursday lunchtime in Walter Hall saw the winner of the 2023 Norcop Song Prize, Jamal Al-Titi give his prizewinner recital accompanied by Koldolsky Prize winner Indra Egan.  It was an interesting selection of material for baritone in English, French, Italian and Russian.  Starting off with Butterworth’s Loveliest of Trees and Vaughan Williams’ Silent Noon was bold.  The standard for these songs is particularly high and I don’t think they are Al-Titi’s sweet spot.  We would see laster in the recital a leaning towards a very operatic approach that didn’t work so well here.

al-titi

Continue reading

Les adieux – Midori Marsh and Alex Halliday

It’s that time of year when departing members of the COC Ensemble Studio give their farewell recitals in the RBA.  On Tuesday it was the turn of Midori Marsh and Alex Halliday and they did it in style.  The programme was interesting and the music making excellent.  Although they alternated sets it’s probably easy to deal with each singer in turn.

2023-02-21-COC-Adieux-028 1 Continue reading

Bryn at Koerner

Almost six years to the day since his last appearance Bryn, now Sir Bryn, Terfel made it back to Koerner hall for a much anticipated recital; this time accompanied by Annabel Thwaite.  The first set, partly setting up a Shakespeare theme for the evening, consisted of four songs by Schubert including “Trinklied” and “An Silvia”.  It was followed by three of the the Quilter Shakespeare settings; “Come Away, Come Away, Death”, “O Mistress Mine” and “Blow, Blow Thou Winter Wind”.  The first half concluded with the Vier ernste Gesänge of BrahmsI think it’s fair to say that what we were hearing was not the Bryn that his considerable following in the hall expected.  The artistry of interpretation was still there but something was up with the voice.  It didn’t have the bloom I remembered and in places, especially with high notes, it just wasn’t happening.  Was he a bit under the weather or was it the toll of the years and lots of Wagner?  I don’t know but I really hope it was the former.

bryn2

Continue reading

Songs of Travel

The main purpose of yesterday’s RBA concert was to showcase the prodigious talents of the five members of the COC’s Orchestra Academy; Isabel Lago and Ah Young Kim (violins), John Sellick (viola), Mansur Kadirov (cello) and Peter Eratostene (bass).  The first half of the programme was the Allegro from Dvorák’s String Quintet No. 2 in G Major.  This was very nicely done and served as a satisfying prelude to the main event.

2020-01-29-Academy-004

Continue reading

reGENERATION week 2

The second set of reGENERATION concerts of the Topronto Summer Music Festival took place yesterday at Walter Hall.  The song portion, unusually, consisted of 100% English language rep, mirroring the Griffey/Jones recital earlier in the wee.  The first concert kicked off with tenor Eric Laine and pianist Scott Downing with five songs from Finzi’s setting of Thomas Hardy; A Young Man’s Exhortation.  It was good.  Laine has a nice sense of style and very good diction.  The high notes are there though sometimes, especially at the end of a line, they don’t sound 100% secure.  There was some quite delicate accompaniment from Downing too.

Continue reading