Tag Archives: tung

Tapestry LibLab participants announced

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Tapestry’s LibLab is a collaborative that brings together composers and librettists to create new work.  It provides participants with the opportunity to work with several partners in a short period of time. Throughout the week-long program, writers and composers are partnered with one another for one day each. With input from music and stage directors, each pair writes a short piece of music theatre and investigates the collaborative process. Their work is performed at the end of each day by a resident ensemble of singers and repetiteurs, and then constructively critiqued by the group.  The best of the works are polished up for a show later in the year (review of last year’s show) and some go on for further development.

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Tapestry Briefs

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tapestry_quartetTapestry Briefs is the product of the Composer-Librettist Workshop run annually by Tapestry.  Four composers and four librettists come up with sixteen ideas for a new opera and work up a scene from each.  Last night twelve scenes from the most recent workshop were presented in a fully staged format with piano accompaniment in Ernest Balmer Studio and adjacent Distillery spaces.  The quartet of singers for the evening was made up of some of Toronto’s top singer/actors; Carla Huhtanen, Krisztina Szabó, Keith Klassen and Peter McGillivray.  Piano accompaniment was from Gregory Oh and Jennifer Tung.

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La tragédie de Carmen

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warnerLa tragédie de Carmen is a stripped down version of Bizet’s opera originally created by Peter Brook some thirty years ago.  It dispenses with the chorus and most of the minor characters to focus in on the central drama of Carmen, Micaëla, Don José and Escamillo with some support from Zuniga and Lillas Pastia.  In Loose TEA Theatre’s version the action is transferred to New York in the 1920s and given a night club/mob setting which stretches the libretto but allows the rather striking Cassandra Warner to appear in some quite stunning outfits.

The piece is very condensed.  It runs maybe 80 minutes.  Presented in a small space like Buddies in bad times it becomes almost unbearably intense, especially when presented by fine actors as it was here.  Central to the whole thing is Warner’s stunning Carmen.  She is very good looking in a rather angular 1920s sort of way.  She can act and she has a really good voice.  The tone is genuine mezzo but she seems quite comfortable well up into soprano territory.  The overall effect was extremely sexy.

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