Last night saw the second annual Centre Stage at the COC. It’s described as the “Ensemble Studio competition gala”, which is pretty much what it has become. It’s a dressy occasion and busier this year than last. Bussing in the claque from the University of Toronto upped both the noise level and the “beautiful young people” content. The competition itself is fairly conventional in that all the singers get to sing two arias of their choice. What’s a little different is that the accompaniment is the full COC Orchestra and as well as the jury prizes there’s an audience choice award facilitated by some neat electronics. Then of course there’s always the issue of a place in next year’s Ensemble Studio.
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We sail the ocean blue
Next week the University of Toronto Opera Division will be staging HMS Pinafore; the first Gilbert and Sullivan at the MacMillan for 25 years. There are four performances; at 7.30pm on the 27th, 28th and 29th and a 2.30pm matinée on the 30th. Following UoT practice it is double cast. The cast for the 27th and 29th includes Charles Sy, a finalist in the COC’s Centre Stage next week as well, and Karine White. They are probably the two singers from UoT who have most impressed me this year and are definitely worth hearing. Michael Albano directs and Sandra Horst conducts. Tickets are $40 adult, $25 senior, $10 student.
Line up for Centre Stage
The line up for Centre Stage; the final auditions for the COC Ensemble Studio has been announced. The seven singers are:
- Mezzo-soprano Zoe Band (Toronto)
- Soprano Eliza Johnson (Stratford, Ont.)
- Baritone Dimitri Katotakis (Toronto)
- Baritone Nathan Keoughan (Charlottetown)
- Tenor Aaron Sheppard (St. John’s, N.L.)
- Mezzo-soprano Michelle Siemens (Calgary)
- Tenor Charles Sy (Toronto)
Last Days
Last Days is a staging of songs and texts from and about WW1. It’s directed by Tim Albery with music direction by David Fallis and it’s performed by students from the University of Toronto Opera Program.
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Brush Up Your Shakespeare
Today’s free concert in the Richard Bradshaw Amphitheatre was given by the University of Toronto’s Opera Program. It was a semi staged assortment of songs and excerpts from operas, operettas and musicals based on the works of Shakespeare with a distinct leaning to the operetta/musical theatre side of things. That’s understandable enough with young singers but it does make the game we all play (at least I do) of trying to guess who the next Jonas Kaufmann or Anna Netrebko is that much harder. Not that I’m very good at it. I’m far more able to predict what a newly bottled Bordeaux will taste like in ten years time than whether the young soprano I’m listening to might go on to sing Siegfried or Turandot at the Met!

