Piano, piano, piano, piano (as Elmer Fudd might say) along with double bass and electronics are the basis for Kalaisan Kalaichelvan’s Poitu Varen which premiered at Hugh’s Room last night as part of the Soundstreams TD Encounters series.
Before looking forward to next month I want to mention a couple of things this weekend that I haven’t previously noticed. Saturday (Jan 25th) at 12.30pm there is a Met HD broadcast of new production of Aida with a pretty interesting looking cast. Later, at 6pm there’s a rather special concert at the Arts and letters Club to celebrate the 100th birthday of Morry Kernerman (former assistant concertmaster of both the TSO and OSM). The concert is presented by Canzona Chamber Players and wiull feature Trio Uchida-Crozman-Chiu. Continue reading
Here’s what’s coming down for the holiday season, as best I know:
Roiyce Vavrek. Photo by Ser Amantio di Nicolao
Today’s big news is that Against the Grain Theatre have announced the appointment of a new Artistic Director and it’s Royce Vavrek. He’s probably best known to opera audiences as a librettist. He has written the libretti for 23 operas including a bunch with Missy Mazzoli of which perhaps my favourite is Proving Up, done in Calgary recently by Ammolite Opera. He’s also the writer for Ian Cusson’s Indians on Vacation and Luna Pearl Woolf’s Jacqueline which features in Tapestry’s recently announced season and is just out on CD. So not dead yet then!
And talking of Tapestry, they announced their season today. With the new space at 877 Yonge almost ready they have emerged from semi-hibernation. As implied above the first show is Luna pearl Woolf’s Jacqueline in The Betty Oliphant Theatre in February . I’m assuming it’s essentially the same show as five years ago (see Opera Canada Summer 2020). There’s also a venue launch concert for the new home on March 22nd. The first Tapestry show at the new venue will be Sanctuary Song; music by Abigail Richardson, libretto by Marjorie Chan, which, apparently, is about an elephant. Which may be an operatic first. Continue reading
Here are some upcoming shows for April:
Music
The Estonian Philharmonic Chamber Choir with their conductor Tõnu Kaljuste appeared at the rather spectacular (and very large) St. Paul’s Basilica last night as part of Sounstream’s 2023/24 season. The programme was largely made up of works to liturgical or scriptural texts by Palestrina and Pårt. It was gorgeous polyphony, beautifully sung but in which any sense of the text was largely lost. It also all inhabited a very similar sound world. Even towards the end of the concert when a little variety crept in it was surprisingly little. One might expect a 21st century work setting H.P. Lovecraft to sound more dramatic or abrasive than a 16th century setting of “Ave Maria” but Omar Daniels new piece Antarktos Monodies, despite having a few interesting touches, was much of a piece with the music that surrounded it.
The eighth iteration of Soundstreams’ Electric Messiah opened last night at Theatre Passe Muraille. Like last year at Crow’s it’s staged fairly conventionally with the players facing the audience though some use was made of the galleries at TPM. I do kind of miss the club atmosphere of the earliest versions but it still has lots to offer.
First some late calls for November:
Soundstreams’ concert on Friday evening in the new TD Music Hall at Massey Hall was inspired by the Rothko Chapel in Houstion, Texas. It featured two works; Morton Feldman’s Rothko Chapel, commissioned for the opening of the chapel, and Cecilia Livingston’s mark, commissioned for Friday’s concert. Both featured chorus (Soundstreams Choir 21), viola (Steven Dann), celesta (Gregory Oh) and percussion (Ryan Scott). mark also featured baritone Alex Samaras). Both were staged by Tim Albery with lighting by Siobhán Sleath and projections by Cameron Davis.
Here’s what I’m looking forward to in a busy November.
operaramblings 