Spring Awakening

Paolo Santalucia’s first production as Artistic Director of Soulpepper is a pretty bold choice. It’s Frank Wedekind’s 1891 drama Spring Awakening (Frühlings Erwachen) and it’s presented in English in Santalucia’s adaptation; not in the form of the Broadway musical adaptation which is probably better known in the anglosphere.

Continue reading →

Deception and delusion in the Copperbelt

Natasha Mumba’s play Copperbelt which had its premiere at Soulpepper on Tuesday evening is a very interesting work.  On one level it’s a tight, well crafted drama in the “dysfunctional family” genre so beloved by playwrights.  Intergenerational and gender role conflicts abound.  But beneath that there’s something much more interesting.

Continue reading →