This concert was the culmination of several days of workshops involving Wallis Giunta, Jordan de Souza and eighteen emerging artists; both singers and pianists. It’s a comparatively unusual opportunity to focus on contemporary repertoire for a while and the results were fun. As usual with these multi-participant efforts I’m not going to attempt to be exhaustive but just concentrate on my personal highlights.
Great idea. Create a sort of spooky, short opera program in a funky location and use it as a fundraiser for your next major project. That was Darknet at Mây last night. Jennifer Krabbe, singing Berlioz, rounded us up in the bar and ushered us downstairs into an installation created by Alessia Naccarato and Noah Grove. It was dark. It was eerie. We were offered masks. Cairan Ryan sang The Cold Song from Purcell’s King Arthur while writhing on the floor. Jonathan MacArthur sort of emerged from some sort of primeval goo singing Aria by John Cage and Beth Hagerman gave us one of Lulu’s arias. Then we were rounded up and ejected into the light again. Loved it.
Andrew Ager’s Führerbunker is a short chamber opera depicting the events leading up to Hitler’s suicide in April 1945. It’s a tautly constructed work in which many short scenes are woven into a seamless and compelling whole. It flies by and its 45 minute length seems even shorter. The score is spare, even brutal, as befits the subject matter. The composer told me he had initially envisioned something Wagnerian but feared that that must descend into pastiche. He made the right decision. So, the piano line is minimalist with elements of serialism and very little support for the singers. It’s a style that has perhaps been largely discarded (in north America at least) but here it was startlingly effective. Perhaps the crappy Tranzac Club piano contributed to the effect!
For those of you who won’t be glued to the underwater cycling at the Pan-Am games there is actually music on in Toronto over the summer. The tenth Toronto Summer Music Festival features a wide range of events in many genres. The ones likely to be of most interest to AR readers follow.
It was quite a party at the MacMillan Theatre this afternoon. The MacMillan opened fifty years ago with a production of Britten’s Albert Herring and this afternoon marked the final performance of a new production to celebrate the occasion. Directed by Joel Ivany, it was a straightforward but lively and very well characterised interpretation that brought out many of the very specific and quirky elements of the local culture while taking it mysteriously up market in some ways. (*). Coupled with very good singing by any standard, and this was a student production, it made for a most enjoyable afternoon.