In 2003, in conjunction of a revival of Peter Sellars’production of Handel’s Theodora at Glyndebourne ,Lorraine Hunt-Lieberson went into the studio and recorded a Handel album with Harry Bicket and the Orchestra of the Age of Enlightenment. That album was released to great acclaim in 2004. It’s now been remastered and the new version will be available on October 17th.
The album contains all of Irene’s music from Theodora including superb versions of “As with rosy steps the morn” and “Lord, to Thee, each night and day”. There’s also the cantata Lucrezia where she is accompanied by Harry Bicket on harpsichord & chamber organ, Stephen Stubbs on 10-course lute and Baroque guitar, Phoebe Carrai on cello and Margriet Tindemans on viola da gamba. There are also two arias from Serse; “Se bramate d’amar, chi vi sdegna” and “Ombra mai fu”. Continue reading
Photo: Bruce Zinger
The new recording of Handel’s Alcina from Marc Minkowski, Les musiciens du Louvre and a rather starry line up of soloists is very good and quite interesting. It’s very complete. As far as I can tell all the ballet/dance music is included and so are all the Oberto scenes and all his arias. In all the staged performances I’ve seen (live or video) one or both are usually heavily truncated and I have seen versions where Oberto doesn’t feature at all.
Opera Atelier have announced the line up for their 2024/25 season. As with other recent seasons there’s one show at the Elgin Theatre and one at Koerner Hall.
Iconic British countertenor James Bowman passed away last March. On Sunday night at Trinity-St. Pauls the Early Music folks at UoT presented a tribute to the man and his career. It was very well done. Music associated with Bowman; mostly Purcell and Britten, was interspersed with video and personal recollections/testimonials that fully reflected the considerable influence Bowman had on the English music scene and on the more widespread acceptance of the countertenor voice in the classical music world generally. 
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