And so it begins

Yesterday saw the first free concert of the season in the Richard Bradshaw Amphitheatre.  It was a chance to see the 2015/16 Ensemble Studio; two new singers, one new pianist and six singers and a pianist from last year.  The format was one aria per singer with few surprises.  We also got to hear the core quartet casting for the Ensemble Studio performance of Le Nozze di Figaro later in the season.  No surprises there either; Il Conte – Gordon Bintner, Iain MacNeil – Figaro, La Contessa – Aviva Fortunata, Susanna – Karine Boucher.  That leaves four tenors for the other roles…

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Coming up

Three things on the calendar this coming week.  Tuesday 22nd sees the first free noon concert of the season in the Richard Bradshaw Amphitheatre.  As custom seems to dictate it’s the Ensemble Studio performing.  The full programme is here.  It’s also the first gig with Claire Morley in charge.

screenshot-2015-06-19-21-42-15Friday 25th  and Saturday 26th, Friends of Gravity (who curiously do not include our cats) are presenting an intriguing looking version of Weill’s The Seven Deadly Sins.  The show is at 8pm at St. Bartholomew’s Church on Dundas Street East.  Tickets and details.

Also on Saturday, Metro Youth Opera have a season launch party/fundraiser at Opera Bob’s (a watering hole owned and operated by bass Robert Pomakov)  It’s at 5pm.  Details and tickets.

It’s starting to get busy again.

Opera for the young and young at heart

bremenTwo listings in in the last 24 hours.  COC is staging a couple of “family friendly” events.  On Saturday, November 14th, they are presenting Dean Burry’s The Bremen Town Musicians (11am) and interactive opera Operation Superpower (1.30pm). Starring the young artists of the COC Ensemble Studio, both operas are written specifically for young people aged 3 to 12. Each opera is 45 minutes in length, followed by a 15-minute Q&A with the cast and crew. Both performances take place at the Joey and Toby Tanenbaum Opera Centre at 227 Front St. E., Toronto, Ontario.  There’s the opportunity to take part in “hands-on activities” related to the operas an hour before each show.  Tickets to each opera are $15 for adults, and $10 for children.  More info at coc.ca. Continue reading

The Diary of The One Who Didn’t Disappear

The on/off saga of the Ensemble Studio’s promised Janáček’s The Diary of One Who Disappeared came to an apparent conclusion yesterday.  It had been postponed at least once and even this morning the COC website is advertising a complete performance with two soloists and a small chorus.

cocIt didn’t happen.  What we got was a recital by Owen McAusland singing some excerpts from the Janáček plus Vaughan William’s The House of Life and Britten’s Les Illuminations.  It was his last performance as a member of the Ensemble Studio during which time, among many other things, he sang several main stage performances as Tito covering for a sick Michael Schade.

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Ensemble Studio Barber

The Ensemble Studio got to do their thing last night with their annual main stage performance; this year, of course, Joan Font’s production of The Barber of Seville.  This year only one role was split; Andrew Haji singing Almaviva in Act 1 with Jean-Philippe Fortier-Lazure coming off the bench for the second half.  The other main roles went to Clarence Frazer as Figaro, Charlott Burrage as Rosina, Iain McNeil as Doctor Bartolo, Gordon Bintner as Don Basilio and Karine Boucher as Berta.  Ringer Jan Vaculik sang both Fiorello and the Officer.

2537 – (l-r) Clarence Frazer as Figaro, Andrew Haji as Count Almaviva, Charlotte Burrage as Rosina, Gordon Bintner as Don Basilio, Karine Boucher as Berta and Iain MacNeil as Doctor Bartolo in the Ensemble Studio performance of the Canadian Opera Company’s production of The Barber of Seville, 2015. Conductor Rory Macdonald, director Joan Font, set and costume designer Joan Guillén, choreographer Xevi Dorca and lighting designer Albert Faura.  Photo: Michael Cooper  Michael Cooper Photographic Office- 416-466-4474 Mobile- 416-938-7558 66 Coleridge Ave. Toronto, ON M4C 4H5

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Thirteen songs in search of an audience

This morning I went to the COC website to see what Josh Hopkins would be singing at lunchtime.  Bottom line, he wasn’t.  His recital had been replaced by a hastily put together program of pieces to be sung by Owen McCausland, Karine Boucher and Aviva Fortunata.  Given that Liz Upchurch said it was pieces they were looking for an audience for I’d guess it’s audition/competition rep that they are working on and therefore, to some extent, work in progress.

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The Futile Precaution

Yesterday lunchtime the Ensemble Studio gave us a preview of their upcoming performance of the Barber of Seville.  The production, of course, will be the one currently on stage at the Four Seasons Centre and there were clear echoes of that in the way yesterday’s event was put on though they also played with the fact that Almaviva will be split between Andrew Haji and Jean-Philippe Fortier-Lazure with much pulling and pushing into place.

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Adieu to Charlotte and Clarence

Each year, round about now, the COC stages a lunchtime concert or two featuring departing members of the Ensemble Studio singing music that has special meaning for them.  Yesterday we heard Clarence Frazer and Charlotte Burrage with Jennifer Szeto at the piano.

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France Bellemare; a soprano to watch

Today saw the annual lunchtime concert in the RBA in which members of the COC Ensemble Studio collaborate with visitors from the Atelier lyrique de l’Opéra de Montréal.  There were three singers from each program but rather unusually only one of them was female; soprano France Bellemare.  Naturally I was rather focussed on the visiting singers as the three Toronto participants; Gordon Bintner, Clarence Frazer and Andrew Haji are very much known quantities.  Of the visitors it was very much Ms. Bellemare who shone.  She has a very accurate, lovely rich voice with perhaps still some work to do on the top of her range but very easy to listen to and she’s musically and dramatically convincing too.  Her version of Micaëla’s Je dis que rien ne m’épouvante was very competent though I’m not sure it’s ideal rep for her.  The Song to the Moon from Rusalka though fitted her like a glove.  This was really lovely singing.  She also did very well in duet with Clarence Frazer in Lippen schweigen from Die Lustige Witwe or The Merry Widow or La Veuve Joyeuse as all three languages were used!  She can waltz too though perhaps not as well as Clarence.  Ladies, if you need a dance partner consider Mr. Frazer.  She also shone in the final number; the Libiamo from La Traviata.  I confess when I saw the program and saw that she would be partnered by Andrew Haji I rather expected her to be sung off the stage.  She wasn’t.  She held her own with a tenor who will sing this role on the COC’s main stage next season.  No mean feat.  This young lady is definitely one to watch.

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Quilico Awards 2015

Last night in the Richard Bradshaw Amphitheatre the singers of the COC Ensemble Studio competed for the Quilico awards for the third time in this format.  Owen McAusland was off singing in Lucia di Lammermoor in Victoria and Andrew Haji was down with the flu so seven singers actually sang.  As usual the standard was very high and it can’t have been easy for the judges.  Jean-Philippe Fortier-Lazure and Ian MacNeil had a bit of an off night but that left five singers who I has extremely close on my notes.  No permutation of three from five would have particularly surprised me.

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Iain MacNeil, Aviva Fortunata, Jean-Philippe Fortier-Lazure, Karine Boucher, Clarence Frazer, Charlotte Burrage, Gordon Bintner, Jennifer Szeto and Michael Shannon

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