The Christina and Louis Quilico Awards are a singing competition for members of the COC’s Ensemble Studio. This year’s edition took place early yesterday evening in the RBA. Only five members of the Ensemble Studio were competing. Megan Quick and Sam Pickett were not for reasons that I don’t think were announced and Aaron Sheppard was sick. So it was a pretty brief affair. The format as usual was that each contestant offered three arias and got to sing the one of their choice with the judges choosing which of the other two they should sing.
Last night in the Richard Bradshaw Amphitheatre the singers of the COC Ensemble Studio competed for the Quilico awards for the third time in this format. Owen McAusland was off singing in Lucia di Lammermoor in Victoria and Andrew Haji was down with the flu so seven singers actually sang. As usual the standard was very high and it can’t have been easy for the judges. Jean-Philippe Fortier-Lazure and Ian MacNeil had a bit of an off night but that left five singers who I has extremely close on my notes. No permutation of three from five would have particularly surprised me.
Iain MacNeil, Aviva Fortunata, Jean-Philippe Fortier-Lazure, Karine Boucher, Clarence Frazer, Charlotte Burrage, Gordon Bintner, Jennifer Szeto and Michael Shannon
It’s getting pretty busy in Toronto. Here are a few upcoming things of interest that I haven’t already mentioned.
This year, the Faculty of Music’s annual student composer project is a co-production with Campbell House Museum, the 19th century home of Sir William Campbell, Chief Justice of Upper Canada. Footsteps in Campbell House is a series of pieces by student composers to words by Michael Albano. The audience moves around the house exploring the lives of those who livedd there. There are five performances on January 30th and 31st and February 1st. Each performance is limited to 35 people. Tickets are $20 and available here. I’m really intrigued by this but there’s no way I can go. Continue reading →
Last night, for the second time (the first was in 2011) the singers of the COC Ensemble Studio competed for the Christina and Louis Quilico Awards; a prize competition created by Christina in memory of her husband, baritone Louis. It was the usual competition format; the singers offer three arias, they sing one and then the judges choose which of the remaining two they will sing. It being the Ensemble Studio on show the standard was extremely high. Nine singers and eighteen arias is too much to report in detail so I’ll concentrate on the winners.
Alan Walker of the Ontario Arts Foundation, Christina Quilico and the Ensemble Studio
The audience at this 1988 San Francisco Opera production of La Bohème clearly thought very highly of it. There is even some applause for the scenery. I’m less impressed. Seen as a star vehicle for Pavarotti and Freni it’s quite adequate, though both are decidedly on the mature side for Rodolfo or Mimi. Other than that it’s rather dull, the video direction doesn’t help it any and the technical quality is no more than adequate. Continue reading →
Rossini’s La Cenerentola takes almost three hours to tell a very straightforward version of the Cinderella story. Generally directors, despairing of the this, either camp it up (for example the Els Comediants production seen, inter alia, in Houston and Toronto in recent years) or they try to find a few more layers of meaning as in Ponnelle’s film version. Michael Hampe does neither in his 1988 Salzburg production, preferring to tell the story as a straightforward morality tale. I guess if one really loves the music and it’s really well sung this could work but, ultimately, I found it rather dull. Continue reading →