Ensemble Studio competition goes upmarket

Ensemble2The COC’s Ensemble Studio competition; effectively the final auditions for potential new members of the program, gets a makeover this season.  Previously it was held in the Richard Bradshaw Amphitheatre with each member performing two arias with piano accompaniment.  Now it becomes a gala event styled Centre Stage and held on the main stage of the Four Seasons Centre with accompaniment from the COC orchestra.  There’s also a cocktail reception and black tie dinner.

I understand that the format will be that each singer performs an aria of their choice for the judges behind closed doors and a second, of the judges’ choice, for the gala audience.  In any event, it’s on November 26th with doors open at 5.30pm.  Tickets for the reception and competition are $100 and for the dinner $1500.  More details here.

Poetic Echoes: A Britten Celebration

Yesterday’s free concert in the Richard Bradshaw Amphitheatre saw four members of the Ensemble Studio singing contrasting works by Benjamin Britten.  First up was bass-baritone Gordon Bintner with excerpts from Tit for Tat; settings of works by Walter de la Mare.  These were full blooded performances and Bintner gave full reign to his powerful and flexible voice.  It’s a terrific instrument but I would have preferred a little more restraint and subtlety, especially in something as intimate as these pieces.  Next up was tenor Andrew Haji with excerpts from Seven Sonnets of Michelangelo.  It was rather a similar story.  He has a fine, operatic voice and gave the songs a rather operatic treatment.  It was good singing but not in the idiom one is accustomed to hearing this music sung in.

Photo: Karen Reeves

Photo: Karen Reeves

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The price is right

simoneThe best bargain of the Toronto music season is the free lunchtime concert series at the Four Seasons Centre.  The 2013/14 line up was announced today.  Opera and vocal highlights include recitals by Sir Thomas Allen (Songs of the Sea, which sounds rather excellent), Simone Osborne, Robert Pomakov with The Gryphon Trio, Tracey Dahl, Russell Braun and Paul Appleby.  Somewhat off the beaten track, there will be a performance of Gagliano’s La Dafne by Capella Intima and the Toronto Continuo Collective and the Canadian Art Song project will be premiering a new commission by a Canadian composer.  There will also be the usual (and very popular) sessions from the COC Ensemble Studio (including two Britten themed concerts), the students of the University of Toronto opera division and the young artists of the Atelier lyrique de l’Opéra de Montréal.

For the less vocally inclined there is also a full line up of piano, chamber music, world music, jazz and dance.  Here’s the full PDF brochure.

Quilico Awards 2013

Last night, for the second time (the first was in 2011) the singers of the COC Ensemble Studio competed for the Christina and Louis Quilico Awards; a prize competition created by Christina in memory of her husband, baritone Louis.  It was the usual competition format; the singers offer three arias, they sing one and then the judges choose which of the remaining two they will sing.  It being the Ensemble Studio on show the standard was extremely high.  Nine singers and eighteen arias is too much to report in detail so I’ll concentrate on the winners.

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Alan Walker of the Ontario Arts Foundation, Christina Quilico and the Ensemble Studio

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Sérénade Française

John Terauds may have proclaimed the death of the art song recital in Toronto, and he may even have a point about recitals with high ticket prices, but the line up outside the Four Seasons Centre yesterday for a recital of French chansons rather suggests that the taste for the form has not gone away.  The admirably chosen programme of songs, mainly by Poulenc with some Ravel and Milhaud thrown in, was performed by members of the COC’s Ensemble Studio.

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The French connection

Today’s free lunchtime concert in the RBA was given by Topher Mokrzewski wearing his pianist hat; as opposed to his conductor, accompanist, music director, vocal coach or tap dancing hat.

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Photo credit: Chris Hutcheson

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Vive l’amour

Every year the COC Ensemble Studio engages in an exchange programme with the Atelier Lyrique of L’Opéra de Montréal.  Each year that results in a joint lunchtime recital in the Richard Bradshaw Amphitheatre.  It seems to be a popular gig.  The doors were closed today at 11.40 for the noon performance (it’s first come, first served).  Thankfully, writing this stuff gets me a reserved seat or I would have missed out.  The show is always worth seeing because it’s not at all unusual for the best singers from the Montreal programme to move onto the Ensemble Studio.

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Sic Semper Tyrannis

12-13-E-04-MC-D-0071 Last night saw the COC Ensemble Studio’s annual main stage performance.  This year it was Mozart’s La Clemenza di Tito in a Christopher Alden production.  It’s a somewhat quirky production that I haven’t fully digested yet and may need to wait until after seeing the main cast on the 22nd to come to a more considered view.  My initial reaction is that it has a lot of interesting ideas, maybe one or two misguided ones and that the whole thing, while interesting, isn’t completely coherent.  That said, Alden productions often seem more coherent second time around.  And whatever I might think of the production, it didn’t distract from some very fine performances.

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First of the year

Cameron McPhail - Photo by Chris Hutchson- Jan 8 2013Yesterday saw the first free lunchtime concert of 2013 at the Four Seasons Centre.  Five singers from the COC’s Ensemble Studio gave us a programme of works by Mozart and Salieri, mostly comparative rarities.  I enjoy hearing the singers of the Ensemble Studio because it’s not just a chance to hear some good singing but also to see how voices are developing and make some guesses about whether one is seeing a future star.

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New additions to the COC Ensemble Studio

The COC today announced six new singers will join the Ensemble Studio for the 2013/14 season.  If you read my review of the Ensemble Studio competition in November you’ll not be surprised.  The three prize winners; bass-baritone Gordon Bintner, tenor Andrew Haji and mezzo Charlotte Burrage are among the six as is my pick, dramatic soprano Aviva Fortunata.  The remaining two are baritone Clarence Frazer and mezzo Danielle MacMillan who were also quite impressive in the competition.

The Ensemble Studio is losing Mireille Asselin, Neil Craighead, Rihab Chaieb, Chris Enns and Ambur Braid as well as both pianists; Timothy Cheung and Jenna Douglas, at the end of this season though all of them can be seen in some capacity in La Clemenza di Tito next month.  Rihab is also appearing in Dialogues of the Carmelites in the spring.  There’s no word on new non-singing talent for Ensemble.  I’m going to be really interested to see what’s next for these guys.  We’ve had some good times together.

Full COC Press Release