Octet, by Dave Malloy, opened at Crow’s Theatre on Wednesday evening. I guess it’s Crow’s big musical this year; a kind of follow up to Pierre, Natasha and the Great Comet, but it’s actually a very different kind of show. One major difference is musical. All the singing is a capella which puts extra demands on the singers (and isn’t unpleasantly loud). The whole cast; eight of course, are really rather good singers and pull off the solo and ensemble numbers extremely well. They can also act and they are backed up by a really effective lighting plot Imogen Wilson) and video (Nathan Bruce) that pretty much replace the set, which is pretty basic.
Tag Archives: crow's theatre
A Public Display of Affection
A Public Display of Affection is currently being presented by Studio180Theatre in the Studio at Crow’s Theatre. Jonathan Wilson plays himself in monodrama-documentary directed by MarkMcGrinder about Gay life in Toronto before, during and after AIDS.
March 2025
- March 1st (Dydd Gŵyl Dewi Sant) Apocryphonia have a “classical meets punk” concert called Brews, Beauties and Brawlers at St. Olave’s Anglican Church at 7.30pm. PWYC.
- March 5th Canadian Art Song Project have their annual gig at noon in the RBA.
- Crow’s Theatre have a new adaptation of Measure for Measure in the Studio Theatre. Previews on the 6th and 7th, opening on the 8th and running to March 16th.
Towards a Poetics of the Person
Liz Appel’s play Wights was premiered at Crow’s Theatre on Wednesday night in a production directed by Chris Abraham. It’s a complex satire on Academia and academic relationships with a touch of comedy/horror; Whose Afraid of Virginia Woolf with just a smidgeon of Shawn of the Dead. And it takes place in the immediate run up to the 2024 US Presidential Election. with all the hopes and fears for the future packed into that.

January 2025
So what’s in store for Toronto early in the New Year?
- December 29th 2024 and January 3rd and 4th 2025, Toronto Operetta Theatre are presenting Kalman’s Countess Maritza at the Jane Mallett Theatre.
- Bad New Days are presenting Adam Paolozza’s Last Landscape; a meditation on environmental collapse, at Buddies in Bad Times. Preview is on the 12th with opening on the 14th and running until the 26th.
Revisiting The Master Plan
Michael Healey’s The Master Plan is currently playing in a collaboration between Crow’s Theatre and Soulpepper at the Michael Young Theatre. It’s basically the same production and mostly the same cast and creative team as at Crow’s last year so I’ll not repeat everything I said in my rather long review of opening night at Crow’s. There are two cast changes; Rose Napoli comes in as Kristina Verner and others and playwright Michael Healey replaces Peter Fernandes (who is off at Crow’s playing, appropriately enough, a dodgy real estate broker) as the Tree etc. It’s still staged, very effectively, in the round and the lighting and projections haven’t changed. What I want to concentrate on is how well does the piece stack up on a second viewing and in the light of other stuff that has happened/is happening in Ontario.

A brilliantly atmospheric Rosmersholm
Crow’s Theatre opened the season last night with a production of Ibsen’s Romersholm in an adaptation by Duncan Macmillan directed by Chris Abraham. It’s not perhaps Ibsen’s best known play but it’s powerful and somewhat topically relevant and the production at Crow’s is excellent in every way.

September 2024
Well late August has been a bit thin in terms of live performances but September. sees things back with a bang.
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- Opera Revue has a Verdi and Weill show at the Redwood Theatre.
- Coal Mine Theatre is opening with Annie Baker’s Infinite Life which played to rave reviews in London and New York. Previews are on the 6th to 8th with opening on the 10th. The play runs until the 29th.
- Crow’s opens their season with Ibsen’s Rosmersholm. Previews run from the 3rd to the 10th with opening night on the 11th. The run continues to October 6th.
The Wrong Bashir
The Wrong Bashir by Zahida Rahemtulla is currently playing at Crow’s Theatre in a production directed by Paolo Santalucia. The story is set in the Isma’ili community in Toronto and all the families concerned were among those kicked out of Uganda by Idi Amin. Quite a lot of the story concerns Isma’ili religious institutions and practices about which I am woefully ignorant. Not knowing doesn’t detract from the experience of seeing the play and I have used circumlocutions below rather than try and figure out the technical terms used in the play

Seven Methods of Killing Kylie Jenner
Apparently Kylie Jenner is one of those people who is famous for being famous which is usually a guarantee that I’ve never heard of him/her/they. But she’s famous enough to have inspired Jasmine Lee-Jones use her as a hook for a play; Seven Methods of Killing Kylie Jenner, that opened in the Studi Tneatre at Crow’s on Thursday night in a co-production between Crow’s and Obsidian Theatre.



