News

soileSo after a bit of a hiatus the Toronto music scene is coming back to life.  The Toronto Summer Music Festival has kicked off and the main interest for followers of the vocal arts lies in the Art Song fellows project with concerts at 1pm on each of the next two Saturdays in Walter Hall (free but tickets required).  Then the vocal highlight of the festival; Soile Isokoski in recital with Martin Katz at 7.30pm on the 18th at Walter Hall.  The programme includes the Schumann Mary Stuart songs, the Strauss Ophelia songs plus some Wolf and, of course, Sibelius.  Ms. Isokoski is also giving a public masterclass in Walter Hall on the 23rd at 2pm.

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Cozy enough

The Toronto production of Against the Grain’s A Little Too Cozy opened last night at Studio 42 at the CBC Centre.  It’s the third and final instalment in the series of Ivany/Mokzrewski adaptations of the Mozart/da Ponte operas, following on from Figaro’s Wedding and #UncleJohn.  Like the earlier pieces it’s updated, site specific and makes a lot of references to social media.  The schtick here is that it’s a reality TV dating show.  Dora and Felicity are yet to meet Elmo and Fernando in the flesh though they have become engaged via social media and through the prior episodes of the show.  Tonight is the season finale and there is one big test left.  Can they be tempted by two strange men?  Show host Donald L. Fonzo and girl handler Despina will make sure they are maximally tempted.  The rest you can work out.

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A Little Too Cozy

So the cat’s out of the bag.  The long awaited where, when and who of Against the Grain’s Toronto run of A Little Too Cozy have been revealed.  A Little Too Cozy is the third and final instalment in a trilogy of Mozart “transladaptations” developed by AtG, which place the works in appropriate, non traditional opera, venues and which use English language librettos by Joel Ivany bringing the stories into a contemporary context.  The first two instalments; Figaro’s Wedding and #UncleJohn, sold out their Toronto runs.

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The labours of Hercules

I really had intended to write up the COC’s new production of Handel’s Hercules tonight.  But the best laid plans etc were subverted by the lovely Sasha Djihanian dragging me off to the after party.  There will be a proper review in the morning but, if you are smart (and don’t already have tickets) you won’t wait and will go buy some before they sell out.

To tide you over here’s Hercules himself (aka Eric Owens) flanked by Sasha and Rihab Chaieb.

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Quilico Awards 2013

Last night, for the second time (the first was in 2011) the singers of the COC Ensemble Studio competed for the Christina and Louis Quilico Awards; a prize competition created by Christina in memory of her husband, baritone Louis.  It was the usual competition format; the singers offer three arias, they sing one and then the judges choose which of the remaining two they will sing.  It being the Ensemble Studio on show the standard was extremely high.  Nine singers and eighteen arias is too much to report in detail so I’ll concentrate on the winners.

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Alan Walker of the Ontario Arts Foundation, Christina Quilico and the Ensemble Studio

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Sérénade Française

John Terauds may have proclaimed the death of the art song recital in Toronto, and he may even have a point about recitals with high ticket prices, but the line up outside the Four Seasons Centre yesterday for a recital of French chansons rather suggests that the taste for the form has not gone away.  The admirably chosen programme of songs, mainly by Poulenc with some Ravel and Milhaud thrown in, was performed by members of the COC’s Ensemble Studio.

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Vive l’amour

Every year the COC Ensemble Studio engages in an exchange programme with the Atelier Lyrique of L’Opéra de Montréal.  Each year that results in a joint lunchtime recital in the Richard Bradshaw Amphitheatre.  It seems to be a popular gig.  The doors were closed today at 11.40 for the noon performance (it’s first come, first served).  Thankfully, writing this stuff gets me a reserved seat or I would have missed out.  The show is always worth seeing because it’s not at all unusual for the best singers from the Montreal programme to move onto the Ensemble Studio.

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Sic Semper Tyrannis

12-13-E-04-MC-D-0071 Last night saw the COC Ensemble Studio’s annual main stage performance.  This year it was Mozart’s La Clemenza di Tito in a Christopher Alden production.  It’s a somewhat quirky production that I haven’t fully digested yet and may need to wait until after seeing the main cast on the 22nd to come to a more considered view.  My initial reaction is that it has a lot of interesting ideas, maybe one or two misguided ones and that the whole thing, while interesting, isn’t completely coherent.  That said, Alden productions often seem more coherent second time around.  And whatever I might think of the production, it didn’t distract from some very fine performances.

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Upcoming events

sellarsThere a couple or three things coming up in Toronto that might be of interest to readers.

On Sunday 27th January at 2pm Russell Braun and Rihab Chaieb are giving a recital of German songs in the Glenn Gould Studio.  Tickets are $60 but only $25 for under 25s.

The following evening Peter Sellars is giving a talk on his production of Tristan und Isolde at the Toronto Reference Library.  This one is free but ticketed.  Tickets are available from the TPL website.

And in free RBA noon concert news, on 24th January Sasha Djihanian and Cameron McPhail with pianists Timothy Cheung and Jenna Douglas are offering up Debussy’s Ariettes oubliées and Schumann’s Dichterliebe.