Tag Archives: ahfat

with you and without you

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Every year Soundstreams has a competition to find a young artist to curate a main stage concert.  This year’s lucky winner is Brad Cherwin, who will need little introduction to readers of this blog, and the concert took place at the Jane Mallett Theatre on Saturday night.

It was, in many ways, a typical Cherwin programme.  Some works were played in their entirety while others had their individual movements spread through the programme.  The overall theme was “Love and Death” and the programme was divided into four cycles with somewhat enigmatic titles.  Twelve instrumentalists, plus soprano Danika Lorèn and conductor Gregory Oh were used in various combinations.

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Babes in Toyland

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babesintoylandThe Happenstancers ended their 2023/24 season last night at 918 Bathurst with a concert called Babes in Toyland.  It consisted of mainly late 20th and 21st century chamber works with one unusual Mozart piece (K617 for glass harmonica (Kevin Ahfat), viola (Hee-Soo Yoon( ,cello (Peter Eom), oboe (Aleh Remezau) and flute (Tristan Durie) to spice things up.

The main interest for me was that there was plenty of vocal music featuring soprano Reilly Nelson who not only sang some highly technical music but played bells, scattered playing cards and carried a boom box.  The first substantial vocal work was Unsuk Chin’s acrostic-wordplay which is in seven movements with texts created from fragments from Michael Ende’s The Never Ending Story and Lewis Carroll’s Through the Looking Glass. (Chin seems to have a bit of an Alice fixation).  It’s a complex piece for soprano and a fairly large chamber ensemble with no clear musical structure.  The textures vary from spooky and ethereal to aggressively loud and dissonant.  Great work here from Reilly and the ensemble conducted by Simon Rivard. Continue reading →

OPUS IV part2

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The second concert in the OPUS IV series, which took place on Tuesday evening at the Arts and Letters Club, had a similar structure to Sunday evening.  The concert was anchored around a major, well known, work.  In this case Beethoven’s Kreutzer Sonata with the rest of the programme featuring less familiar material.  It was given by the same five instrumentalists as Sunday; Stella Chen and Isabella Perron – violins, Matthew Lipman – viola, Brannon Cho – cello and Kevin Ahfat – piano.

opusiv_2

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OPUS IV part 1

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stella_chen

Stella Chen

Last night at Trinity St.Paul’s we got the first of two concerts in the fourth iteration of the OPUS Chamber Music series.  Music director and pianist Kevin Ahfat had arranged an impressive group of young string players to join him in a varied and enjoyable programme.

From the United States we had violinist Stella Chen; a Queen Elisabeth Prize winner and Gramophone Young Artist of the Year, and up and coming violist Matthew Lipman.  There was Berlin based cellist Brannon Cho.  The local talent consisted of and violinist Isabella Perron, as well, of course as Kevin himself.

First up were Ahfat and Lipman with Rebecca Clarke’s Sonata for Viola and Piano of 1919.  It’s quite a substantial piece with more than a hint of Debussy, especially in the piano part.  The first movement is marked “Impetuoso” but it’s nothing like as frenetic as the second movement; “Vivace”, which is really densely scored.  There’s a lovely, lyrical and expressive concluding “Adagio” which culminates in a very involved final section in high romantic style.  Some gorgeous playing and great communication between the musicians here. Continue reading →