Dido and Aeneas preview

meghanlindsayWednesday’s RBA concert was a preview of Opera Atelier’s upcoming production of Purcell’s Dido and Aeneas.  Something between a performance of excerpts and a working rehearsal it featured Marshall Pynkoski introducing a series of excerpts for both singers (in rehearsal dress) and dancers (in costume).  He provided a good linking narrative situating each excerpt in the context of the work together with some general remarks about the nature and origin of the piece.

We got Meghan Lindsay (Dido) and Mireille Asselin (Belinda) with the opening duet.  They wre joined by Colion Ainsworth (Aeneas) for “see, your royal guest appears” followed by the triumphing dance by two members of the OA ballet.  There was some serious witchiness from Danielle MacMillan and Cynthia Smithers, more dance and Mireille with “Thanks to these lonesome vales” before a very dramatic account of the final confrontation between the lovers and Dido’s famous lament. Continue reading

Kassandra

NV6438_Kassandra-1Kassandra is a new chamber opera from Anthony Brandt (composer) and Neena Beber (librettist).  It’s an updating of the classic myth of Kassandra who was cursed by Apollo to always be right but never believed for having rejected his advances.  In the new version Kassandra is  an AI scientist who builds a computer with great predictive power, particularly with respect to climate.  Apollo is a venture capitalist who bankrolls Kassandra then fires her and trashes her reputation when she rejects his unwelcome sexual overtures.  So #metoo meets climate change denialism.  Prophets, especially female ones, shouldn’t get in the way of profits or embarrass powerful males.

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VOCES8 at St. James

UK based vocal octet VOCES8 sang Tuesday night at St. James Anglican Cathedral.  The whole thing was arranged by Daniel Taylor of the Theatre of Early Music at the UoT and marked VOCES8’s Canadian debut.  I confess to a weakness for choral music in the Anglican tradition so this was a welcome opportunity to hear some very highly regarded performers.  They didn’t disappoint.  They are a finely tuned and highly skilled group.

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Miles Mykannen in the RBA

Tenor Mlles Mykannen, currently on the COC main stage as Steuermann in Der fliegende Holländer performed in the RBA on Tuesday accompanied by Sandra Horst.  It was a bit unusual.  There was no published programme and Mykannen talked a lot.  Also a quiz at the end (really).  He’s extremely engaging, even funny, and an excellent singer.  His opera choices were unusual; Arnalta’s lullabye from L’incoronazione di Poppea, an “aria” from Silent Night and “Miles, Miles” from The Turn of the Screw.  The last was particularly good with maximum spookiness achieved (though not for the first time I noticed just how “wrong” TotS sounds on piano!)

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Giulio Cesare at Grauman’s

The 2021 production, by Keith Warner, of Handel’s Giulio Cesare in Egitto at the Theater an der Wien uses Grauman’s Egyptian Theatre as a framing device.  Sometimes the action is clearly the actors, producers, cigarette girls etc involved in the screening of a silent German movie version of “Caesar and Cleopatra”.  Other times they are performing the action of the film/opera.  Sometimes the cinema screen shows clips from the movie.   Other times it shows pictures of the characters on stage.  For example, at the beginning of Act 2 Tolomeo, whose other persona is some kind of sleazy mafioso movie exec, is shooting up.  There’s a B&W picture of him on the screen that slowly changes to bright colours and then becomes more and more a depiction of a pretty heavy trip.

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The Dutchman returns

The COC’s 2022/23 season opened last night with a revival of David Alden’s production of Wagner’s Der fliegender Holländer with Marilyn Gronsdal directing.  It’s been eleven years since this production was last seen and, if memory serves, it created some controversy back then, chiefly on account of the Dutchman’s “zombie” crew.  Seeing it again it’s hard to see what the fuss was about.  It’s actually a very straightforward production where sailing ships are sailing ships and spinning sheds feature textile workers.  The only deviation from the libretto that I noticed was Senta’s death.  Here she’s shot by Erik while holding up a picture of the Dutchman.

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Sehnsucht

sehnsuchtSehnsucht is the title of a new CD from Barbara Hannigan and friends.  It features three works in new arrangements for voice and chamber ensemble.  Hannigan sings Berg’s Sieben frühe Lieder in an arrangement by Reinbert de Leeuw.  Baritone Raoul Steffani sings the Vier Gesänge Op.2 in an arrangement by Henk de Vlieger. There’s also a performance of Mahler’s Symphony No.4 in an arrangement by Erwin Stein.  The eleven member Camerata RCO is conducted by Rolf Verbeek.

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UoT Opera in the RBA

It’s been three long years since the UoT Opera Program students performed in the RBA.  Unsurprisingly none of the current crop are familiar to me at all.  They are a strong group though and I look forward to seeing them again over the course of the academic year.

Yesterday’s programme was a curated and directed selection of duets and larger ensembles from 19th century repertory.  Introductions were provided by Sandra Horst who conducted and Michael Albano and Mabel Wonnacott who directed.  With fifteen singers involved in a show lasting well under an hour including the intros there wasn’t really enough time to get more than a very superficial idea of what each singer is capable and so I think it would be inappropriate to write a conventional review.  Let’s just say that it was wonderful to see them back, a great way to spend a lunchtime and that there was some very classy singing.

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Watch this space…

Chicago Symphony

As part of music director Riccardo Muti’s final tour with the orchestra, the Chicago Symphony is coming to Toronto in February for the first time since 1914.  It’s at Koerner too, so it’s a chance to see one of the world’s great orchestras in a really good acoustic.  The dates are February 1st and 2nd 2023 and the programmes are:

  • February 1st:  Beethoven Symphony No. 7 and Prokofiev Symphony No. 5
  • February 2nd: Beethoven Coriolan Overture and Symphony No. 8, Liadov The Enhanted Lake and Mussorgsky Pictures at an Exhibition.

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Photo credit: Todd Rosenberg Photography