It’s becoming a bit of a habit. The Royal Opera has released a video recording of the 2019 revival of Kaspar Holten’s 2014 production of Don Giovanni directed by Jack Furness and conducted by Helmut Haenchen. I’ve already reviewed both the DVD and the cinema broadcast of the 2014 production so saying much about the production would be superfluous. Suffice to say it’s one of the better Don Giovannis available on disk.
If you didn’t catch it live last night there’s a really lovely concert up on the Royal Opera House Youtube channel which should be available for a couple of weeks. Tony Pappano is at the piano with Louise Alder singing Britten, Strauss and Handel, Toby Spence with some Butterworth plus Gerald Finley with Finzi, Turnage and Britten. The boys finish off with the Pearl Fishers duet. Along the way, Morgen is sung by Louise and danced quite beautifully to choreography by Wayne McGregor by Francesca Hayward and Cesar Corrales. It’s weird, and even eerie, to see a concert from a large empty theatre but there we are. Highly recommended.
Continuing my struggle with Britten’s The Rape of Lucretia I got hold of the Blu-ray recording of Fiona Shaw’s 2015 Glyndebourne production. I’m beginning, I think, to see my way to understanding the problems inherent in the libretto and some of the strategies that can be used to overcome them. The more minor problem is Junius and the odd scene early in Act 2 where he seems to be inciting the Romans to revolt while acting as a general in Tarquinius’ army while, also, apparently, been in some sense complicit in the rape. So we have a two faced power hungry schemer who is oblivious to the consequences of his mischief making; whether rape or rabble rousing (a sort of Roman Boris Johnson). Most productions ignore this aspect of things and probably rightly.