Horizon is a choral work in seven movements by Croatian composer Dalibor Bukvić. Scored for (mostly) unaccompanied female voices, it’s meant to evoke the ambiance of the prehistoric Vučedol culture, which flourished between 3000 and 2200 B.C. in what is now (mostly) Croatia which could stand in this context for the ritual side of any pre-literate culture.
There is text; Croatian (I think) and Latin, whispered, declaimed and sung but there’s more vocalise and some recorded bird song plus, on a couple of tracks quite sparse and sometimes atonal piano accompaniment. It does evoke a sense of ritual, mystery and connection to Nature and it’s enjoyable to listen to.
My review
Catalogue information: Bru-Zane BZ3001


A New Philosophy of Opera is a recent book by opera and theatre director Yuval Sharon. It deals with that thorny question “How do we revitalise opera?”. It contains a lengthy critique of the current opera world; repertory, performance practice, business model, and some pretty radical suggestions for ways forward. It’s focussed on the US but I think it’s pretty relevant to Canada too. It’s also worth pointing out upfront that Sharon’s way forward is not at all based on the German model. He’s actually quite critical of it as being almost as ritualistic, lifeless and elitist as the US model.

Nearly a year ago I reviewed Christopher Whitley’s album of pieces for solo violin and electronics