Wine in the Wilderness

Wine in the Wilderness is a 1969 play by Alice Childress set in Harlem during the 1964 riots. It’s currently playing at Canadian Stage Berkeley Street in a production directed by Jordan Laffrenier (who also directed Slave Play). It’s a deceptively complex and nuanced analysis of the intersection of race, class and gender in the African-American community at a time of considerable change. The Civil Rights Movement is under way. Educational opportunities have opened up enough to allow the emergence of an aspirational African-American middle class. But this is still a deeply racist USA with police brutality a common occurrence and plenty of people left behind in an increasingly polarized African-American community.

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The Comeuppance comes up a bit short

Branden Jacobs-Jenkins’ The Comeuppance is playing at Soulpepper in a production directed by Frank Cox-O’Connell.  It’s an enormously ambitious play.  It takes the relatively banal setting of a pre-party for a high school 20th reunion and uses it to explore a wide range of issues concerning memory, personal growth (or not), what we keep and what we leave behind and, ultimately, our relationship with Death.

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The Case for the Existence of God

Samuel D. Hunter’s play The Case for the Existence of God, in a production directed by Ted Dykstra, opened at Coal Mine Theatre on Thursday night.  It’s a story about the somewhat unlikely friendship between two would be single fathers in a small town in Idaho.  It’s mostly pretty sad but with some really funny moments.  We can come back to the God thing.

A Case for the Existence of God/ Coal Mine Thatre

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Topdog/Underdog

Topdog/Underdog by Suzan-Lori Parks, which is currently running at Canadian Stage’s Berkeley Street Theatre has garnered impressive accolades since its 2001 New York debut.  It’s won a Pulitzer and been named, in 2018, as “the greatest American play of the last 25 years” by the New York Times.  It’s well written, dramatically well crafted and often very funny but, to be perfectly honest, I wasn’t deeply engaged by it.

Mazin Elsadig and Sébastein Heins in TopdogUnderdog-photobyDahliaKatz-5695

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