A Synonym for Love

Much as I enjoy full scale opera productions by conventional, large opera companies like the COC, some of my best experiences in the last few years have been with smaller companies mounting unconventional productions in smaller and often unusual venues. There’s another opportunity of that type coming up over the next two weeks. Starting Sunday night Volcano Theatre are staging A Synonym for Love at the Gladstone Hotel. The music is by Handel but it’s using a new English libretto by Deborah Pearson. The action will take place in different locations in the Gladstone and the audience will follow the action around. The music director for this project is Ashiq Aziz who was responsible for an excellent Dido and Aeneas at the Winchester Dance Theatre a few years ago as well as last year’s innovative Orlando Lunaire in a warehouse in the west end.

The preview is on Sunday evening with ten more performances between then and the end of the month.  Tickets run $20-$42.  I’ll be at the preview.

Good news

Canadian Opera Company General Director Alexander Neef has signed a new contract to stay with the company through 2021. This is very good news indeed. Neef has shown a canny ability to programme imaginatively varied programmes while keeping the house full, mostly through carefully balancing the number of performances between the more adventurous repertoire and one or two “bums on seats” shows per season. Aided by the company having moved to the technically and acoustically excellent Four Seasons Centre he has also done a great job of making the COC a company that the best singers, conductors and directors want to come to(*). That’s a problem none of his predecessors managed to crack. It’s no idle boast now when COC describes itself as “home to the best”. I feel confident that we can now look forward to another eight years of varied, high quality opera at COC.

* Confirmed to me by Larry Brownlee but to be honest the line up in the last couple of years and going forward speaks for itself. Brownlee, Graham, Archibald, Radvanovsky, Pieczonka, Braun, Schade. Hereros-Casada, Sir Andrew Davis. Carsens, the Aldens, Sellars, Malfitano, Albery. Such a change from ten years ago!

Broken down by age and sex

The COC board reviews ticket sales data

Broken down by age and sex – that’s what they say happens to statisticians over time but this one retains his fascination with data and will happily torture it in search of a conclusion or three.  In this case the data is contained in an interesting round up of the Canadian Opera Company’s 2011/12 season.

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Big contemporary opera weekend in Toronto

Considering the opera season in Toronto usually pretty much wraps up in May there’s a lot on over the next few days.  I guess the big ticket Is Philip Glass’ Einstein on the Beach which is running tonight, tomorrow night and Sunday afternoon/evening.  Unfortunately it’s extremely long and I have early reffing gigs both Saturday and Sunday so that pretty much rules it out.  It’s also at one of my least favourite performance spaces; the Sony Centre.  Also on this weekend is the Canadian Children’s Opera Company performance of a new work by Errol Gay called Laura’s Cow. based on events in the War of 1812  That’s on at the Enwave and I managed to score a couple of comps so I shall be going to that.  Then on Monday and Tuesday evenings Tapestry New Opera are workshopping Aaron Gervais’ The Enslavement and Liberation of Oksana G. at the Distillery.  Most all opera in Toronto happens within walking distance of the Kitten Kondo but that one is scarcely five minutes away.  The lemur is rehearsing so I’ll be on my own at that one. Busy times!

Reflections on the COC 2011/12 season

So another Toronto season has come and gone.  I thought it was a pretty satisfying one taken as a whole.  There weren’t any total disasters and there were several productions of the highest class.  I made it to all seven shows and saw three of them twice; Rigoletto (because, among other things, it was double cast), L’Amour de Loin (because it was so good!) and Semele (because it was the production chosen for the Ensemble Studio).  I also attended the final dress rehearsal of The Florentine Tragedy/Gianni Schicchi double bill. Continue reading

Spring in Toronto

It’s Spring in Toronto. The Canadian Opera Company has three productions in rehearsal and load ins and set building have started once more at the Four Seasons Centre. Here’s my take on what’s coming up.

Offenbach – Tales of Hoffmann April 10th to May 14th

Photo Credit: Kurt Van der Elst © 2000

This is a house debut for British director Lee Blakeley who brings his production previously seen at Vlaamse Opera.  The production looks on the face of it fairly conventional but word from the rehearsal studio is that it’s fairly “out there”.  The casting is a typical mix of “A list” talent, local favourites and Ensemble Studio members.  Probably the biggest draw is local boy John Relyea who is playing the four villains.  American tenor Russell Thomas sings the title role.  The four main female roles will be sung by Andriana Chuchman, Erin Wall, Keri Alkema and Lauren Segal; all familiar faces to Toronto audiences.  Johannes Debus conducts. More information.

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University Avenue at night

Toronto’s Four Seasons Centre is an utterly gorgeous theatre.  You can find lovely photographs of it all over the place including as the background to this blog. The front of house area is all glass fronted and looks over University Avenue; one of downtown Toronto’s busiest, and noisiest, streets.  There are three hospital ERs within five minutes walk of the FSC so you can work out the siren potential.  Add to that the subway runs under the building and you get some idea of the brilliant engineering required to isolate it acoustically.  Any way, that’s just a preamble to saying that at night, and perhaps especially on a dreary winter evening like last Tuesday, one can see some striking vistas.  I was in the house to see Saariaho’s L’Amour du Loin for a second time and I was up in Ring 3.  In the interval I was struck by the view across the atrium to the street.  I only had my iPod for photography purposes so it’s not a great shot but I rather like it.

Opera Atelier announces 2012/13 season

Opera Atelier announced their 2012/13 season today.

Carla Huhtanen slumming it with the rest of us, queuing to get into a concert at the Four Seasons Centre

The exciting bit is a move into early romantic territory with Weber’s Der Freischutz.  The cast includes local favourites Krešimir Špicer, Carla Huhtanen, Curtis Sullivan, Olivier Laquerre and Michael Uloth. The creative team is the usual OA gang and Tafelmusik will be in the pit, which is an interesting choice to out it mildly.

The less exciting bit is another revival of The Magic Flute in English. I’ll be tempted to see it to see the Pamina of Laura Albino, Mireille Asselin sing Papagena and see how Ambur Braid does with the Queen of the Night in a smaller house. Still, I first saw OA’s Flute over 20 years ago. I’ve seen it quite a few times in both its “full” and cut down for kids versions and I’m not that excited. Has that “bums on seats” feel.

Here’s the full announcement.