Another intriguing program from the Talisker Players

BeastiaryThe Talisker Players are presenting a show called present Creature to Creature on March 16 and 18 at Trinity St. Paul’s Centre. It’s inspired by mediaeval bestiaries and takes on human foibles through the lens of animal behaviour.  It had better be good because I can scratch quite nastily. The Taliskers will be joined by mezzo soprano Norine Burgess, baritone Geoffrey Sirett (more impressive every time I see him), and theatre artist Ross Manson.

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New Canadian works from Essential Opera

Not sure how this managed to fly under the radar but Essential Opera have a show of three Canadian premieres at Heliconian Hall on April 5th.  The works are:

Etiquette
Composed by Monica Pearce, libretto by John Terauds
Pitting politeness and perfection against the harsher facts of life, through the eyes of Dorothy Parker, Emily Post and Nancy Astor.
Learn more about Monica and her music on her website: http://www.monicapearce.com

Regina
Composed by Elisha Denburg, libretto by Maya Rabinovitch
The story of Regina Jonas, the first woman to be ordained a rabbi – in 1935 Berlin – and the young student who discovers her truth.
Learn more about Elisha and his music on his website: http://www.elishadenburg.com

Heather (Cindy + Mindy = BFs 4EVER)
Composed by Christopher Thornborrow, libretto by Julie Tepperman
A hard-hitting introduction to the vicious reality of online bullying between girls and young women.
Learn more about Chris and his music on his website: http://christhornborrow.com/

A “first draft” of part of the last was featured at a Tapestry Shorts show not so long ago.

The performance team is:

MUSICAL TEAM:
Music director: Cheryl Duvall
Conductor: David Passmore
CAST:
Erin Bardua, soprano
Maureen Batt, soprano
Julia Morgan, mezzo
Keith O’Brien, baritone
Jesse Clark, baritone

There’s a crowd funding project and more details at http://www.indiegogo.com/projects/new-canadian-premieres-with-essential-opera

Ash Roses

ashrosesThere’s some pretty exciting news from the Canadian Art Song Project (CASP).  It’s their first commercial CD release featuring Ash Roses; songs for Soprano and Tenor by Derek Holman. The artists are soprano Mireille Asselin, tenor Lawrence Wiliford, pianist Liz Upchurch and harpist Sanya Eng. This is the first recording entirely dedicated to the songs of Canadian composer Derek Holman; one of the very few who have made art songs an important component of their output.

There is a CD release party on March 7th at the Canadian Music Centre (20 St. Joseph St., Toronto) and the program for the evening will include The Four Seasons, Ash Roses, Now Sleeps the Crimson Petal and Three Songs for High Voice and Harp.  Tickets are $30 in advance, $35 on the door, $20 students. More details can be found about the CD and the release party at www.canadianartsongproject.ca

Upcoming events

Ridiculously short notice I know but VOICEBOX/Opera in Concert’ are closing their season with Verdi’s Stiffelio this afternoon at the St. Lawrence Centre.  This 1850 workconcerns an adultery in the house of a Protestant minister and was so severely censored by the Italian authorities that Verdi withdrew it in 1856 and it’s rarely seen.  VOICEBOX will present the scholarly edition prepared from the Carrara family MS in the early 90’s.  It’s a concert performance with piano accompaniment featuring Ernesto Ramirez,  Laura Albino and Geoffrey Sirett.

On Wednesday there’s a rare performance of Gagliano’s La Dafne by Capella Intima and the Toronto Continuo Collective.  An ensemble of dramatic voices accompanied by lutes, theorbos, harpsichord and viola da gamba will present Ovid’s tale of Apollo and Daphne.  It’s at noon and forms part of the COC’s free concert series in the Richard Bradshaw Amphitheatre.

Finally, on March 3rd Toronto Masque Theatre is presenting a soirée on the history of the masque form.  There will be panel discussions and performances by soprano Patricia O’Callaghan, guitarist Ken Whiteley and others.  It’s at 7.30pm at  21 Shaftesbury Avenue, Toronto.  Tickets are by donation ($20 suggested) and seating is limited so registration is required either online at torontomasquetheatre.com or by calling 416-410-4561.

 

Long weekend discounts at COC

0640 - Cosi - Ferrando_Despina_Guglielmo - credit Michael CooperIt’s a long weekend in Ontario and COC is discounting Saturday evening’s Così fan tutte and Sunday’s matinee of Un ballo in maschera.  There are two deals.  The first allows you to buy at rush prices without queuing up at the box office. Tickets start at $25 and Orchestra seats (regularly $224) are $70. Go here and use the promo code WINTERRUSH.  The second deal is box office, in person, only.  Starting at 11 a.m. on the day of each performance, Orchestra level Rush seats are priced at $40.

More opera in cinemas

enogrimesThe latest entrant to the live HD cinema broadcast market is ENO.  The first broadcast, on 23rd February, will be the current David Alden production of Britten’s Peter Grimes which will, current lurgy permitting, feature Stuart Skelton in the title role.  As his is a Grimes I haven’t seen and particularly want to, I am not best pleased that no cinemas in Greater Robfordia seem to be carrying this program.  You can check out the details here.  May the tidal force be with you!

Not the Met Live in HD

Don GiovanniFinally a cinema in Toronto is screening opera in cinema broadcasts that are not from the Met.  Bloor Hot Docs (Bloor and Bathurst) is showing a number of Royal Opera House offerings.  They aren’t live and the line up makes even the Met seem adventurous but the theatre is said to have good sound, comfy seats and encourages food and drink.  Here’s the screening schedule so far:

SAT Feb 15, 2014 1:30 PM ROYAL OPERA HOUSE – DON GIOVANNI
SAT March 15, 2014 1:30 PM ROYAL OPERA HOUSE – TURANDOT
SAT April 19, 2014 12:30 PM ROYAL OPERA HOUSE – PARSIFAL
SAT May 17, 2014 1:00 PM ROYAL OPERA HOUSE – LES VEPRES SICILIENNES
SAT June 14, 2014 1:00 PM ROYAL OPERA HOUSE – LA BOHEME
SAT July 12, 2014 1:00 PM ROYAL OPERA HOUSE – MANON LESCAUT

Hat tip to Lydia at Definitely the Opera for the spot.

Hippolyte et Aricie

While the rest of Toronto was preparing for that odd ornithological event the Superb Owl, or possibly attending the opening of the COC’s Un ballo in maschera, I went to see a semi-staged version of Rameau’s Hippolyte et Aricie at Voicebox: Opera in Concert.  Perhaps surprisingly it was very well attended with a particularly strong showing from the bloggerati.  You will have to wait for the next Opera Canada to read my review but Leslie Barcza’s may be found here.

COC Orchestra Academy

1011debus1I recently posted about additions to the COC’s Ensemble Studio and briefly alluded to the company’s new programme for young orchestral musicians.  Three student musicians will be mentored by members of the orchestra and will attend orchestra rehearsals of the company’s spring season productions.  The new Orchestra Academy project will be led by Music Director Johannes Debus.

Two of the students are currently studying at the Glenn Gould School.  Cellist Ashton Lim will be mentored by COC assistant principal cellist Paul Widnerand oboist Alessandro Rauli will be mentored by COC principal oboist Mark Rogers and COC oboist Lesley Young. The third student is from the UofT’s Faculty of Music; violinist Rebecca MacLeod will be mentored by COC violinist Dominique Laplante.

It sounds like a great opportunity to introduce young orchestral musicians to the world of opera and one hopes it will be repeated for future rehearsal cycles.

New operas at UoT

The University of Toronto Student Composers Collective presents a free programme of short comic works at the Macmillan Theatre at 5pm on January 30th.

Encounters is an hour long operatic entertainment comprising five operatic samplings. Grief Encounter, composed by Robert Drisdelle, is a cheeky nod to the operatic convention of surtitles while The Proposal chides us not to take situations at face value. In the Shadow of Rob Ford is a romantic scenario composed by Keyan Emami. Two lonely, young people meet during a protest in Nathan Philips Square while Rob Ford, reduced metaphorically to an off-stage voice, provides editorial comment as he packs up his City Hall office. The Box Office, composed by Bekah Simms, pits an aggravating customer against a heroic box office attendant and the program concludes with Shelley Marwood’s setting of Say No to the Dress, a parody of the rabid obsession with finding just the right bridal gown.

I hope someone goes and reviews this because I have work commitments that make it impossible for me to attend.