Week of 7th February

salThis week kicks off with a concert performance of a rarity; Salieri’s Falstaff.  It’s a concert performance by Voicebox:Opera in Concert.  Larry Beckwith conducts the Aradia Ensemble and a cast of Voicebox stalwarts.  You can catch it at 2.30pm today at the Jane Mallett Theatre.

There are two free events on Tuesday.  Chris Purves, Alberich in the COC’s Siegfried, has a lunchtime recital in the RBA with Liz Upchurch at the piano.  The programme includes Mussorgsky, Handel and Duparc.  At 8pm in the Victoria College chapel you can catch Dean Burry’s graduate recital as he finishes up his PhD.  Soon perhaps Canada’s most performed composer will no longer be a lowly TA.  Oh the joys of credentialism!

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TSO 16/17

Last night saw the Toronto Symphony announce its 2016/17 plans.  The event itself was rather an upgrade from last year.  Rather than a 10am affair with coffee and donuts and a press conference in the lobby of Roy Thomson Hall we got wine and canapes and the “show” itself had the audience seated on the stage and in the choir loft of the hall itself; an unusual POV at least.  There were also performances from the TSO Ensemble and a terrifyingly accomplished fourteen year old pianist Leonard Lediak who will debut with the orchestra during Mozart 261 (incidentally relocated to Koerner Hall this time around).

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First week of February

There are a number of interesting concerts and performances this week.  Tuesday sees the graduate students of the UoT Opera Division in cabaret at the Tranzac Club.  It’s at 7.30pm and it’s free.  The beer at the Tranzac is better than it used to be so should be a decent night out and if you don’t like it the NAGS are performing in the other room, alas without Neil Sorbie.  Earlier in the day there’s a noon hour concert in the RBA featuring Bob Pomakov and the Gryphon Trio (also free).  The program features works by Mozart and Heather Schmidt.

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Royal Conservatory 16/17

dessayThe Royal Conservatory is the latest to announce its 2016/17 season, or at least the Koerner Hall component.  There’s the usual eclectic mix of orchestral, instrumental, chamber, vocal, jazz and world music.  The vocal highlights are recitals by Deb Voigt and Nathalie Dessay and the annual Christmas visit by the King’s Singers.

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21C 2016

tanyaThe line up for this year’s 21C is out.  It’s a bit difficult for a genre based blog like this to know what to say about a genre busting event like 21C so I will point out the things that look even remotely relevant.  I think the vocal highlight is the concert at Koerner Hall on May 25 featuring the Kronos Quartet and the amazing Tanya Tagaq in a fascinating looking program.  There’s also the after hours concert at 10.30pm on May 27 which will feature new works by John Oswald for piano, instruments and choir in total darkness.  full details on the festival can be found here.

Opera Atelier announces 2016/17 season

didoOpera Atelier has announced its 2016/17 season.  The fall production will be Purcell’s Dido and Aeneas.  It isn’t clear whether this is a new production or a revival.  The company has done the piece before; at the MacMillan Theatre in 1989 and 1994, in 2005 at the Elgin and in sundry tour venues.  It’s not paired with anything so it’s either a very short show or there is a lot of interpolated dance.  Wallis Giunta and Chris Enns play the lovers with a supporting cast that includes Meghan Lindsay, Laura Pudwell, Ellen McAteer, Karine White and Cory Knight.  Nice to see Karine getting a chance on a professional stage.  There are six shows at the Elgin between October 20 and 29, 2016.

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The week in prospect

campsallIt’s another pretty busy week.  There are two student shows today, both free.  At 2.30pm in the MacMillan Theatre there’s a performance of a new opera based on EM Forster’s The Machine Stops.  It’s by Patrick McGraw, Robert Taylor and Steven Webb.  Sandra Horst conducts and Michael Albano directs.  Then at 8pm in Mazzoleni Hall, Christina Campsall is performing Poulenc’s La Voix Humaine with Brahm Goldhammer providing piano accompaniment.

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Program for Dmitri Hvorostovsky recital

Dmitri-Hvorostovsky-014_0The program for Dmitri Hvorostovsky’s February 21 recital at Koerner Hall has been released.  It is:

 

 

 

Glinka:
To Molly (Do not demand songs from a singer), (text: Kukolnik)
It’s Pleasant to Be with You (text: N.Ryndin)
Say Not That It Grieves the Heart (text: N. Pavlov)
Doubt (text: Kukolnik)
Bolero (text: Kukolnik)

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Heating up

Faculty_of_Music,_University_of_Toronto_-_from_Philosopher's_Walk_-_DSC09874Next week things get rather busy.  There’s all the Hannigan shenanigans at UoT ; lecturing, masterclassing, concerting, walking on water, details here.  There are a couple of lunchtime concerts in the RBA.  Tuesday sees Gordon Bintner and Charles Sy perform Schumann’s Liederkreis and Britten’s Les Illuminations while on Thursday Jean-Philippe Fortier-Lazure appears with the members of the COC Orchestra Academy and their mentors.

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Additions to the COC Ensemble Studio

es1617The COC will add six singers and a pianist to the Ensemble Studio for the 16/17 season.  Unsurprisingly the three prize winners from Centre Stage; mezzo-sopranos Emily D’Angelo and Lauren Eberwein and baritone Bruno Roy, are among the six. They are joined by soprano Samantha Pickett (continuing a tradition of promoting young dramatic sopranos) and mezzo Megan Quick and, best news of all to my mind, soprano Danika Lorèn.  Regular readers will know that I have been increasingly impressed by this young lady over the last twelve months or so and am looking forward to seeing even more of her.  The new pianist is Stéphane Mayer.