Belladonna

Jonathan-event-placeholder-crop-300x176FAWN Chamber Creative have just announced their latest project, Belladonna.  It’s a queer chamber work blending techno and opera.  The libretto and dramaturgy are by UK LGBT specialist Gareth Mattey.  Music composition, arrangement and performance will feature modular synth artist Acote, mezzo-soprano Camille Rogers, tenor Jonathan MacArthur, pianist Darren Creech and composer/double-bassist Adam Scime.  Contemporary dancer Mary-Dora Bloch-Hansen also features. Stage direction, musical dramaturgy and set design will be provided by Amanda Smith.

There’s one performance on March 22nd at 8:30pm at Kensington Hall, 56 Kensington Ave.  It’s a 19+ venue.  More details, tickets etc here.

TSO 18/19

barbara-hannigan-2_photo©elmer-de-haas_preview_jpegThe TSO has announced its 2018/19 season; the first under the temporary (maybe!) direction of Sir Andrew Davis.  I think there’s a lot to like.  As ever it’s an eclectic mix of mainstream and contemporary orchestral music, major choral works, and more popular fare like film screenings with orchestra pops and Broadway but there are more guest conductors and, it seems to me, more focus on the core symphonic repertoire.

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Announcements round up

VoxThere have been quite a few announcements in the last couple of weeks or so.  Here’s what’s coming up.

Essential Opera is back after a hiatus.  They are doing a single performance of Gianni Schicchi at 3pm on April 22nd at the Toronto Centre for the Arts (the one up near the Arctic Circle).  Kevin Mallon conducts the Toronto Orchestra with a really good line up of soloists.

21C is back from May 23rd to 27th with a varied lineup.  Perhaps the most interesting concert from a vocal point of view is vocal ensemble Vox Clamantis with violinist and singer Maarja Nuut and electronic music composer Hendrik Kaljujärv in works by Arvo Pärt, David Lang, and Helena Tulve.  The concert is presented in partnership with Estonian Music Week and it’s on the 26th at 8pm.

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And so to March

OperaSpring365pxHere’s what’s coming up in the first part of March.  Thursday 1st is Opera Pub Night at the Amsterdam Bicycle Club at 9pm.  On Friday March 9th Soundstreams are presenting Tan Dun’s Water Passion at Trinity St. Paul’s at 8pm.  On Wednesday 14th and Friday 16th the Glenn Gould School is presenting Die Fledermaus in a production by Joel Ivany.  That’s at 7.30pm in Koerner Hall.  It’s a good looking cast and recommended.  Thursday 15th through Sunday 18th the UoT Opera is presenting Gershwin’s Of Thee I Sing in the MacMillan Theatre.  The production is by Michael Patrick Albano and start times are 7.30pm except for Sunday at 2.30pm.

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Feast free with Alexander!

So this Thursday (Feb 22nd) at 8pm Tafelmusik are presenting Handel’s Alexander’s Feast at Koerner Hall.  Chances to see Handel oratorios, other than Messiah, don’t come around that often and this one has a very decent line up of soloists; Amanda Forsythe, Alexander Dobson and Thomas Hobbs.  And we have a special giveaway offer.  Tafelmusik have provided a pair of tickets for readers of this blog.  Comment below or email me (j DOT gilks AT rogers DOT com) with contact details and I’ll put your name in the hat.  I’ll announce the winner tomorrow evening.  The winner will be able to pick the tickets up at the box office before the show.  If you can’t make Thursday there are also performances on Friday, Saturday and Sunday but no freebies for those!

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Tafelmusik Baroque Choir – Photo: Sian Richards

Into the back half of February and beyond

eded64_558606377878465db0281238f5aa4ea9Here is what’s coming up.  Valentine’s day sees two vocal recitals.  At noon in the RBA there’s Clare de Sévigné and Rachel Andrist with The Truth about Love; the story of a young woman’s love gone awry.  At 8pm Ian Bostridge has an all Schubert program at Koerner Hall.  Thursday is also busy with members of the Ensemble Studio in a Russian program in the RBA at noon, a Johannes Debus masterclass at UoT at 2pm and Opera Trivia at the Four Seasons Centre at 7pm.  Then on Friday at 7.30pm in Walter Hall there’s a free concert; Vocalini, from the undergrads of the UoT Opera.  Also Thursday and Friday MYOpera have a couple of opportunities to see emerging artists.  There’s a public masterclass with Philip Morehead at 6pm Thursday at the Edward Jackman Centre and a concert at 7.30pm Friday at the Vandenberg House.

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Recruits for the Ensemble Studio

UntitledThe COC has announced four additions to the COC Ensemble Studio for 2018/19.  I don’t think there any surprises.  The three prize winners from last season’s Centre Stage are joined by Lauren Margison, daughter of Richard and currently with the Atelier Lyrique in Montreal.  Just for fun I researched how long the four had been on the OR radar.  The most recent is Montreal based soprano Anna-Sophie Neher who was unknown to me until Centre Stage.  Next would be mezzo Simona Genga; UoT graduate and top prize winner at Centre Stage.  She first appeared in these pages in a review of a UoT concert in 2016.  Bass-baritone Joel Allison has been on the watch list for a while.  He first showed up in a review of a Talisker Players concert in March 2015 and I’ve followed him closely ever since, including his Norcop Prize winner recital.  But by far the longest history goes to soprano Lauren Margison who I first wrote about as a 19 year old singing with her dad in the RBA in 2011!  I wonder whether that record, seven years from first appearing in OR to joining the Ensemble Studio, will ever be broken.  For the record, graduating this summer are Samantha Pickett, Megan Quick, Bruno Roy and Toronto’s favourite naked soprano Danika Lorèn.

Opera Atelier 2018/19 season

20080424Opera Atelier_Idomeneo_Dress Rehearsal

Measha Brueggergosman.
Photo by Bruce Zinger.

Opera Atelier have announced their 2018/19 season.  As usual, there are two shows.  In the Fall there is a double bill of Charpentier’s Actéon paired with Rameau’s Pygmalion (Oct. 25 – Nov. 3, 2018).  Colin Ainsworth, who has also been named as OA’s first “artist in residence”, features in both title roles with Mireille Asselin as Diana and Amour and Allyson McHardy as Juno and Céphise.  The supporting cast includes Jesse Blumberg, Christopher Enns, Meghan Lindsay, Cynthia Smithers and Anna Sharpe. Pygmalion will be prefaced by Opera Atelier’s first Canadian commission for solo baroque violin and contemporary dancing, entitled Inception.  It will be performed by composer/violinist Edwin Huizinga and choreographer/Artist of Atelier Ballet, Tyler Gledhill. Following its Toronto dates, the show will tour to the Royal Opera House in Versailles.

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Whose wearing the Overcoat?

Casting has now been announced for The Overcoat: A Musical Tailoring; an opera by Morris Panych and James Rolfe based on Gogol’s short story by way of Panych’s 1990s theatrical version.  The opera is a co-production of Vancouver Opera, Tapestry Opera and Canadian Stage and will premiere in Toronto’s Bluma Appel Theatre (March 29th to April 14th) before heading to the Vancouver Playhouse (April 28th to May 12th).

Geoffrey Sirett as Akakiy in The Overcoat A Musical Tailoring_Photo Credit Dahlia Katz_preview

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Signal boosting

Out of the Cold Benefit Concert For Toronto Homeless – January 27th at 8pm at the Church of the Redeemer.

Toronto musicians are getting together to play a concert to raise funds for and awareness of the homelessness crisis in our city.

Program: Chamber music, vocalists, and a grand finale led by David Bowser of a few opera favourites.

All proceeds to the Sistering and Fred Victor shelters.

The sistering: http://sistering.org/
Fred Victor: http://www.fredvictor.org/

Church of the Redeemer is easy to get to by transit: Museum or Bay subways. The church is at the corner of Bloor and Avenue Rd./University Ave. across from the ROM.

I don’t have any more details at this point but there’s a Facebook page