Coming up in November

Here’s what’s coming up next month as best I know.

  • Canadian Stage’s presentation of Robert Lepage’s The Far Side of the Moon opens at the Bluma Appel Theatre on November 1st and runs until the 16th.
  • In the RBA lunchtime series we have the Wirth Vocal Prize winner in recital on the 6th
  • Branden Jacob-Jenkins’ The Comeuppance is playing at Soulpepper.  Previews are October 30th to November 5th with opening night on the 6th and the run continuing to November 23rd.

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Tapestry is back with a bang

Tapestry Opera has announced its first full season since leaving the Distillery District and it looks like “back to the future”.  Most of the usual (much missed) stuff is there.  So here’s the line up:

  • October 16th-19th – Tapestry Briefs: Under Where? – Nancy & Ed Jackman Performance Centre.  Briefs is back with a new line up of composers and librettists including, I’m delighted to say, the Gray sisters.  Basically this is the performance end of the LibLab where we get to see the best of what the workshops produced.  Always worth seeing.
  • January 16th and 17th – LOL: Laughing Out Lonely – Nancy & Ed Jackman Performance Centre.  This is a solo opera by the Danish company OPE-N.  Created by Matilde Böcher and Asger Kudahl and starring Morten Grove Frandsen inhabiting multiple on-line personas, it explores the darker side of social media.
  • March 26th – 29th – Ana Sokolović’s Love Songs – Nancy & Ed Jackman Performance Centre.  Soprano Xin Wang takes us on a muklti-lingual journey through love and loss in a version of the Sokolovic work adapted for the stage by Michael Hidetoshi Mori.
  • June 16th – 21st – Super Sekret Opera – Bluma Appel Theatre.  This yet to be announced opera will be fully staged with orchestra and chorus.  All I can tell you is that is “the creation of a Canadian playwright you already admire and a composer the New York Times has hailed as one of the most important voices of our time”.

Welcome back Tapestry!

Falling into September

Life slowly returns to some version of normal.. Here’s what I’m seeing so far for Sptember.

  • 5th September – Apocryphonia have a PWYC concert at St. Thomas’ Huron Street featuring music from the Hundred Years War.
  • 11th September – Lucy Kirkwood’s The Welkin opens at Soulpepper.  Previews are the 4th to the 10th with the  run extending to October 5th.
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Free pizza!

German food conglomerate Dr. Oetker are promoting their new up-market frozen pizza offering, Suprema, in a unique way. They have commissioned a 15 minute opera called, unsurprisingly, Suprema from the good people at Opera Revue.  It’s a jolly romp about a sculptor (Danie Friesen) whose creation (Alex Hajek) comes to life and gets hooked on pizza.  Accompaniment is by Claire Harris on piano and pre-recorded strings (Drew Jurecka).  It’s short, well executed and fun.

It’s free, you don’t need a ticket and there is rather good free pizza after each show.  It’s playing in the TD Music Hall (i.e upstairs at Massey Hall).  There are three shows this afternoon and a bunch next weekend.  Times and so forth here.

Photo credit: Darryl Edwards

July 2025

July in Toronto is really all about two festivals; the Toronto Fringe Festival and Toronto Summer Music.

The Fringe runs July 2nd to July 13th and there are more than 100 shows on 20+ stages.  There’s a huge range of performance styles; drama, comedy, clowning, musicals, stand up etc.  Most shows run an hour or less and the standard ticket price is $18.75 though there are plenty of discounts plus multi show passes as well as free events at the Fringe Hub which this year is at Soulpepper with events also across the street at Old Flame brewery.  Quality varies a lot.  Some shows are excellent; Monks last year would be a case in point, but others a re a bit meh.  But that’s the point really.  You can see what looks interesting to you.  All the details are here.

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Coming up at Toronto Summer Music – MISSING

I’ve been following the development of MISSING; an opera with text by Marie Clements and music by Brian Current since early 2017. There’s an article principally about the project in the Summer 2017 edition of Opera Canada. But I’ve yet to see the opera on stage. It’s had multiple productions in Western Canada but this July will see it’s first performance east of the Lakehead when Toronto Summer Music present it in concert format. That’s at Koerner Hall on July 24th.

Marion Newman in MISSING at Pacific Opera Victoria – Photo: Dean Kalyan

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Looking ahead to June

Things slow down just a little bit in June but with both Luminato and Opera 5’s Opera festival it’s not that quiet.  Here’s what’s coming down:

  • June 5th to 7th at Daniels Spectrum there’s Nigamon/Tunai; an exploration of Indigenous perspectives from North and South America (part of Luminato)
  • June 6th at Metropolitan United Krisztina Szabó leads in Queen of the Night Communion, another Luminato show.

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TSM sneak preview

Last Tuesday lunchtime in the RBA we got a sneak preview of some of the music that will feature at this year’s 20th anniversary Toronto Summer Music.

There was soprano Caitlin Wood with Philip Chiu performing three French chansons; at least one of which will feature in Mary Bevan and Roger Vignoles’ Walter Hall recital.  Cait herself will be performing as part of the cast of Brian Current’s opera Missing during the festival.

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May 2025

Here are my top picks for May.

  • The Cunning Linguist opens at Factory Theatre on May 1st.  Previews are April 26th, 27th and 30th and it runs to May 11th.  A young queer Mexican woman, with her sidekick God, decides to move to Toronto…
  • Eugene Onegin in the Robert Carsen production opens May 2nd at the COC.  Runs until May 24th.
  • On May 3rd Confluence has a Teiya Kasahara curated show called Project T: Home Video (this is a change from the originally scheduled May 2nd/3rd show).

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All the news that fits…

There have been a lot of announcements in the last few days.  Tapestry announced that they had two companies “in residence” for next season at their new home at 877 Yonge Street.  They are Opera Q ;led by Ryan Macdonald and Camille Rogers, who produced the pandemic video Medusa’s Children and Cultureland which is led by Afarin Mansouri and was responsible for Echoes of Bi-Sotoon. Continue reading