A Play in Two Halves

Joanna Murray-Smith’s 2009 play Rockabye is currently playing at Factory Theatre in a production directed by Rob Kempson.  It’s an odd play.  Ostensibly it’s about an aging rock singer; Sidney Jones (played by Deborah Drakeford), who hasn’t achieved much for 20+ years and desperately needs her come back album to be a success before she’s written off as a has been.  She’s also obsessed with adopting an African baby.  We’ll come back to that.  She’s at the centre of a coterie of personal staffers and hangers on who are almost as shallow and self obsessed as she is.  There’s the manager; Alfie (Sergio di Zio) endlessly congratulating himself on sticking with Sidney rather than taking on a “hot sixteen year old”.  There’s boy-toy Jolyon (Nabil Trabousi) who has curtain phobia, a U-boat fetish and a big dick. Sidney’s every wish is the concern of her plummy lesbian publicist Julia (Julie Lumsden) who races around to locate the absolutely vital Peruvian wheatgerm or to send to Uzbekistan for a swatch of cloth to repair a button.  Only the cook/maid Esme (Kyra Harper) seems to have any connection to reality.

Christopher Allen and Kyra Harper_Rockabye - ARC_Sam Moffatt

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The Shadow Whose Prey the Hunter Becomes

The Shadow Whose Prey the Hunter Becomes (I’m going to abbreviate this to Shadow) is a theatre work created by Geelong based collective Back to Back Theatre.  It’s currently playing at the Berkeley Street Theatre as part of Canadian Stage’s season.  Back to Back is an unusual company.  Its actors all have perceived intellectual disabilities but, collectively, they have created theatre that has been seen on stages all over the world, on film and on television.

The Shadow Whose Prey The Hunter Becomes, Zurich, Back to Back Theatre, Image Kira Kynd 2022 (6).

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Migraaaants

Migraaaants is a theatre piece by Matei Visniec translated by Nick Awde and currently playing at Theatre Passe Muraille in a production directed by Siavash Shabanpour.  The programme describes it as a “dark comedy”.  I’m not so sure.  It certainly has absurdist elements and is occasionally funny in a very uncomfortable way but “comedy” I’m not so sure.  Besides, the subject matter; forced migration and people trafficking into and around the EU, is seriously grim.  The “dark” part is on the money.

Migraaaants promo photo by Zahra Salecki

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Christmas Carol at Campbell House

Where better in Toronto to do a site specific version of Dickens’ A Christmas Carol than Campbell House (built 1822)?  Apparently The Three Ships Collective and Soup Can Theatre have been doing such a show for five years but it had never appeared on my radar until this year despite having seen and enjoyed other Soup Can shows.  So last night I went.

Christmas Carol 2023 by LD 9 Continue reading

Choices… or not

Hypothetical Baby; written and performed by Rachel Cairns and directed by Courtney Ch’ng Lancaster for the Howland Company and currently playing at Tarragon Theatre, is about abortion… sort of.  It certainly centres on one woman’s abortion; Ms. Cairns’ in fact and the somewhat weird and tortuous processes involved in obtaining what is, after all, a medical procedure in Canadian law.  But it’s also about that loaded word “choice”.  I think I’ve been hearing the slogan “A woman’s right to choose” all my life and I’ve never dissented from it but I’ve never though very hard about what “choice” was being implied.  Rachel Cairns takes us there in all its complexity.  Because one possible choice is to bring another human being into a profoundly problematic world.  Can one afford to raise a child (because even in a rich country like Canada parents don’t get much help)?  What is the carbon footprint of an extra human?  What impact will it have on the lives of everyone concerned.  What if one is a lousy parent?

Rachel Cairns in Hypothetical Baby-photo by DahliaKatz-5167

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Just Kidding!

Daniel MacIvor’s Here Lies Henry is the other half of the pair of MacIvor one man shows currently playing at Factory Theatre.  It’s quite different from Monster.  For starters Damien Atkins plays a single character, Henry “Tom” Gallery rather than the multiple character of Monster.  The only things we know for sure about Henry is that he is a liar and he wants, for some reason, to tell us his life story, or rather several versions of it.  The only thing he says that we can be fairly sure is true is that you are born, then you do stuff and then you die.

HereLiesHenry-photobyDahliaKatz-76

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Some assembly required

So you are a nerdy kid who lives next to a weird family.  So weird in fact that they eat “naked spaghetti” and one day the police show up to find that your contemporary has dismembered his father alive with a hacksaw (a joint Christmas present from their mother/wife) and put the bits in a cardboard box labelled “Some Assembly Required” to a repeated sound track of “Raindrops keep falling on my head”.  That’s how Monster by Daniel Macivor starts and it’s an unforgettable image that recurs as recollection, dream and film scene throughout a 75 minute one actor tour de force by Karl Ang in the Studio at Factory Theatre.

Monster-photobyDahliaKatz-1875

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Prophecy Fog redux

Jani Lauzon’s one woman show Prophecy Fog, currently playing at Coal Mine Theatre, is essentially a remount of her 2019 show at The Theatre Centre.  I still feel pretty much the same about as I did then; i.e. it’s an excellent and very personal show that will hold different meanings for different people.  I was curious to see how my perception might have changed after four years in which ever weirder conspiracy theories have become mainstream so that stories of space aliens seem the least of it.  Wes Anderson seems to have felt much the same in his latest film.

ProphecyFog2023-photobyDahliaKatz-69

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Letters from Max

Necessary Angel Theatre Company’s production of Sarah Ruhl’s Letters From Max, a ritual opened at The Theatre Centre on Wednesday night.  It’s based on the correspondence and relationship between Sara Ruhl; a middle aged academic, mother of three, and Max Ritvo; her student and aspiring poet/playwright, 20s with a persistent and very nasty cancer.  For almost two hours the characters exchange poems, thoughts, philosophy and more while Max tries to fulfil those dreams we all have when we are young against the backdrop of knowing he probably won’t live to, while Sara gets on with being a middle class mom.

LETTERS FROM MAX, A RITUALPerformed by Maev Beaty and Jesse LaVercombe Photos by Dahlia Katz Set _ Costume Design by Michelle Tracey Lighting Design by Rebecca Picherack Sound Design by Debashis Sinha_(5)

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Sex, death and despair; a Ukrainian tragedy

To Crow’s Theatre on Sunday to see Natal’ya Vorozhbit’s Bad Roads; translated by Sasha Dugdale.  It’s play set during the 2014 Russian invasion of Ukraine.  It’s extremely skillfully and well constructed in six vignettes.  Collectively they explore aspects of the conflict; especially sexual violence and the dehumanising effects that war has on just about everybody caught up in it.

CrowsBadRoads-photobyDahliaKatz-3178

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