This Feels Like the End

Bonnie Duff’s This Feels Like the End premiered at Buddies in Bad Times on Thursday evening, directed by Michelle Blight, as part of Next Stage.  I caught the second performance on Saturday afternoon.  The premise is that the sun has failed to rise so the entire world is deprived of natural light and nobody can explain it.  It’s even more inexplicable in that there isn’t a drastic drop in temperature, plants still grow and the moon is visible but let’s not get hung up on the physics.  The play is about the different ways humans react to such a phenomenon.

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Civilized

The Toronto Fringe Next Stage festival opened on Wednesday evening at Buddies in Bad Times with Keir Cutler’s Civilized.  It’s a one man tour de force in which John Huston plays a senior bureaucrat from Indian Affairs during the Laurier government who has returned from the dead to explain to contemporary Canadians why the Residential School System was entirely necessary and a Very Good Thing.

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13 Plays About ADHD… All At The Same Time

13 Plays About ADHD… All At The Same Time by Alec Toller (mostly) is a show that is currently running at the tiny Assembly Theatre in the heart of Little Tibet so if you get bored there are momos a’plenty to be had.  Unsurprisingly the show is about ADHD.  Hosts Sharjil Rasool and Danny Pagett (who predictably arrives late) attempt to take us through a seminar about ADHD, how to diagnose yourself how to recover from it (if you have it).

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Reminiscencia

Reminiscencia is a performance piece created during lockdown by Chilean playwright Malicho Vaca Valenzuela.  Valanzuela is the sole live performer and from his desk on stage he taskes us through series of scenes and themes using AV material on his laptop projected onto a giant screen.  It’s ultimately about memory.  How we create a footprint in history and how that does and doesn’t endure.  His examples are all taken from his home town of Santiago de Chile.

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Mukashi, Mukashi

Mukashi, Mukashi; Once Upon a Time, currently playing at the Theatre Centre, is a collaboration between two companies; Toronto’s CORPUS and Osaka’s KIO.  It explores two characters who feature prominently in the folklore of Europe and Japan; the wolf and the crane.  This is done via a playful exploration of two well known folk tales; Little Red Riding Hood and the story of the Crane-Woman who weaves miraculous cloth.

Kohey Nakadachi in Mukashi, Mukashi_CORPUS_photo by Yoshikazu Inoue

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Roberto Zucco

Bernard-Marie Koltès’ Roberto Zucco (translated by Martin Crimp) is currently playing at Buddies in Bad Times in a production directed by ted witzel. It’s a piece from the 1980s, written as Koltès was dying of AIDS and set in the mean streets of the less salubrious part of a European city, perhaps Paris.

Roberto Zucco_photo of Daniel MacIvor and Jakob Ehman by Jeremy Mimnagh_set and costume by Michelle Tracey, lighting by Logan Raju Cracknell

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The Maple Leaf Forever?

1939, written by Jani Lauzon and Kaitlyn Riordan and directed by Jani ,opened last night at Canadian Stage’s Berkeley Street theatre.  The setting is a Residential School in Northern Ontario which is set to host the King and Queen as part of their 1939 tour of Canada.  The Welsh, but fiercely anglophile[1], English teacher decides that putting on a production of Shakespeare’s All’s Well That Ends Well would be suitable fare for the royals.

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A brilliantly atmospheric Rosmersholm

Crow’s Theatre opened the season last night with a production of Ibsen’s Romersholm in an adaptation by Duncan Macmillan directed by Chris Abraham.  It’s not perhaps Ibsen’s best known play but it’s powerful and somewhat topically relevant and the production at Crow’s is excellent in every way.

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Infinite Life

Infinite Life, by Annie Baker, in a production directed by Jackie Maxwell, opened at Coal Mine Theatre last night.  It’s a play that has garnered acclaim in both London and New York.  It’s not hard to see why.  It’s the sort of play that perhaps appeals to theatre people (including critics) more than it does to the general public, though it’s not without wider appeal.  It requires great skill and precision to bring off precisely because nothing really happens.  There’s no narrative thread for a general audience to grasp.  That said it is remarkably effective on its own terms.

Brenda Bazinet, Kyra Harper, and Jean Yoon in InfiniteLife_CoalMineTheatre_byElanaEmer_EE_1589

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Versus

Versus-PresentationVersus is a one man show (more or less) by Adam Lazarus about a day in the life of the rather unfortunate (if distressingly normal) Gerald Bloom and worse the day is his birthday.  It’s part of Summerworks and playing at the Theatre Centre.  While it is mostly a monologue, Lazarus gets assistance from Nicholas Eddie and Irene Ly who do rather more than shift props.  He also ropes in audience members, from time to time, to, for example, make him a smoothie or clean up dog poo.  If being acutely embarassed is not your thing then don’t sit in the front row! Continue reading