Thursday’s concert by members of the Ensemble Studio in the RBA was an all French affair (at least as far as language went) and it was rather good. Karoline Podolak iniated proceedings with Mattia Senesi at the piano with Kurt Weill’s “Youkali”. Now I’ve heard this sung by everybody from Barbara Hannigan to Benjamin Appl and I’d have to see that Ms. Podolak is right up there. There was no male stripper though.
Korin Thomas-Smith has something of a penchant for the bizarre and I think that’s a fair description of two sets drawn from Apollinaire’s Bestiaire. There were five of the Poulenc settings (about as far from Dialogues of the Carmelites as one could imagine) and six from Rachel Laurin’s more atonal and abrasive settings. I would probably sing these songs if I had four dromedaries and could sing. Fine work from Brian Cho at the piano. Continue reading
Serious Cabaret is an album by singer Mary Carewe and pianist Philip Mayers who is also responsible for the arrangements. It’s an eclectic mix of cabaret material from the 1920s to the 1970s. There’s classic material from the Weimar Republic, including songs by Hollaender (“Oh just suppose”) and Spoliansky (“Maskulinum/Femininum”, “It’s All a Swindle”) and one I hadn’t heard before; Zemlinsky’s “Herr Bombardil” about a man who eats until he explodes. 
love to my liking is an album of 13th century Trouvère music from Brooklyn based ensemble Alkemie. It’s in many ways similar in style to the music of the troubadors of what is niow Southern France but being from the North the texts are in medieval French rather than Occitan. There’s a range of songs, dances and motets on the record including some in a form I hadn’t encountered before; where two, or even three, distinct texts are sung simultaneously by different singers. 
Thursday night’s Conflunce Concerts show at Heliconian Hall was titled Songs from Toronto and consisted of songs by Toronto singer-songwriters arranged for a larger ensemble by Andrew Downing. And by larger ensemble I mean various combinations of string trio, double bass, guitars of sundry varieties, vibraphone and piano. To further spice things up some of the songs were sung by Teiya Kasahara who is a rather different Fach than the average singer in this genre.
operaramblings 