Pietro Antonio Cesti’s 1657 dramma musicale La Dori is a hoot. It seems to prefigure every plot device that will ever be used in opera. A baby sold by bandits who turns out to be a princess. Pirates. A ghost. Mistaken identities. Swapped potions. Men pretending to be women. Women pretending to be men. Love polygons of fiendish complexity. I won’t even attempt to explain the plot because it’s very complex and silly and hardly matters. It took me a half page diagram just to map the relationships between the characters.
Once in a while one comes across an opera DVD that’s so “ordinary” that it’s extremely difficult to write about it. The 2002 Cagliari recording of Donizetti’s Don Pasquale is one such. Stefano Vizioli’s production is set in 1750s Rome and plays the piece about as straight as a madcap comedy can be played. The singing is rather good and, if the acting is a bit Brian Rix farce that’s hardly inappropriate. At the heart of the piece is Alessandro Corbelli who must be close to being the ideal Pasquale. He gets good support from Eva Mei as Norina and Antonino Siragusa as Ernesto. Roberto de Candia is also quite good as Malatesta but he’s not Mariusz Kwiecien. The chorus is a lot livelier than the average Italian chorus and the orchestra, from Bologna, might be a bit thin on string tone but isn’t bad at all and Gérard Korsten’s conducting is perfectly OK.