Two years ago Charlotte: A Tri-Coloured Play with Music was presented in workshop form (more or less) at Luminato. It felt incomplete and rather muddled then and I didn’t write about it. I saw the latest version yesterday at Hart House Theatre and it feels like a finished piece; indeed a rather accomplished one.
It’s a genre defying work. Perhaps it’s closer to musical theatre than anything else but it’s not miked and there are some “operatic” moments worked into the plot. Indeed there are some very funny musical moments and much cleverness in Aleš Březina’s score and Alon Nasman’s libretto.
Chris Paul Harman’s La selva de los relojes (The Forest of Clocks) had its premier at the Four Seasons Centre at lunchtime today. It’s a setting of some very beautiful texts from Lorca’s Suites scored for mezzo, harp, piano/celeste, flute, clarinet, cello, percussion and tape. The tape consists of sections of the texts read by Martha de Francisco. Sometimes the text comes from the tape, sometimes it’s sung by mezzo, sometimes it’s spoken by the mezzo and at other times they overlap. The accompaniment is mostly very spare but occasionally becomes surprisingly dense with lots of work for tuned percussion. There are also some unconventional roles for the instruments, especially the flute, and there is a whistled passage for the singer near the end. All in all it’s very 21st century; decidedly modern but quite approachable. And did I say the texts are gorgeous? Continue reading →