Opera 5’s double bill of Ethel Smyth one acters, Suffragette, opened last night at Theatre Passe Muraille in productions by Jessica Derventzis. The second piece, The Boatswain’s Mate, was in every way the more successful of the two. It’s a straightforward enough story. Mrs. Waters is a widow and landlord of The Outlaw (renamed in deference to the production’s beer sponsor). She is being very unsuccessfully courted by retired boatswain Harry Benn. Mrs. Waters doesn’t want or need a husband but Benn decides that by enlisting a casual acquaintance, the former soldier Ned Travers, as a fake burglar from whom he can “rescue” the hapless landlady, he can impress her sufficiently. Much mayhem ensues but the upshot is that Mrs. Waters takes a shine to the hunky soldier and they, at least, live happily ever after.
Details are now available for Opera 5’s double bill Suffragette featuring the works of Dame Ethel Smyth. The show will feature two works; Fête Galante, a rather grim “dance dream”, in a somewhat Stravinskian style, and the feminist opera The Boatswain’s Mate, which makes extensive use of folksong tunes. In her day Smythe tended to be written off by the critics for being too masculine so it will be interesting to see how the works have fared with time.
