Soundstreams has announced the line up for the 2023/24 season. First up, and very exciting, is The Bright Divide, which will play Nov 10th and 11th at the TD Music Hall (the new performance space at Massey Hall). It’s a staged show, directed by Tim Albery and featuring two works inspired by the work of Mark Rothko. There’s Morton Feldman’s Rothko Chapel for viola, timpani and choir and a new work by Cecilia Livingston; mark for viola and voice.
Electric Messiah is back. This time it’s at Theatre Passe Muraille from December 14th to 17th. Adam Scime is in charge again for the Messiah where you don’t know what to expect.
June is fast approaching and, as ever, it’s one of the odder months in the performance calendar. Here’s what has caught my eye (so far).
So what’s on as we move into the holiday season?
September 21st at 8pm Soundstreams have a choral concert at Koerner Hall. It’s called Choral Splendour and features Soundstreams’ Choir 21 with Meghan Lindsey, Rebecca Cuddy, Owen McCausland and Alain Coulombe in a programme of music by Frehner, Pärt and Vivier. Vivier’s Zipangu will be accompanied by a live dancer and a film created by Michael Greyeyes.
September 30th also at Koerner Hall at 8pm there’s a free concert to commemorate National Truth and Reconciliation Day. Sarain Fox MCs a mixture of the solemn (testimony from a residential school survivor) and the less solemn (Tomson Highway with excerpts from Songs in the Key of Cree), drumming, dancing and the piano quintet version of Ian Cusson’s Marilyn Dumont songs sung by Rebecca Cuddy with the New Orford Quartet and philip Chiu. If you haven’t heard these songs you should and if you have, but haven’t heard this arrangement, see them anyway because this is the best version! This show is free but ticketed and tickets are going superfast.
Sunday, at Grace Church on the Hill, Soundstreams presented Celebrating R. Murray Schafer. It felt like a cross between a concert and a memorial service. There were no prayers but there were eulogies and Eleanor James drew the parallel between Schafer’s sources of inspiration and Pentecost; that feast of the Church having been chosen deliberately for the event.
As we head into summer, as usual, things start to quieten down. I only have five shows in my schedule for the month of June:
Soundstreams is the latest local organisation to make the return to live performance with an audience with a concert Thursday night at St. Andrew’s Church titled A Love Song to Toronto. Three of the works on the program; Vivier’s Hymnen an dir Nacht and Lovesongs plus Christopher Mayo’s Oceana Nox, appeared in a streamed concert in November and I described them in some detail 
operaramblings 