Here’s a round up of February shows not previously mentioned; mostly straight theatre.
WILDWOMAN, by Kat Sadler (who also directed), is part of the {{her words}} festival at Soulpepper and I attended the first preview performance on Thursday night at the Young Centre. It’s not usual to review previews but I’m out of the country for most of the run proper so there it is. It’s an interesting piece. It weaves together two (more or less) real stories that are quite tenuously related into a single integrated narrative that explores humanity, power and the role of women in society.
Here are a few shows that didn’t make it into earlier listing posts:
2021 was another year of parts. Pretty much no live indoor performances before September then a few chances to get to the theatre and now, well who knows? So what stood out for me in 2021? Here’s a round up by category.
Live Shows
Not much of course but there were some good shows, though opera didn’t really figure. The Home Project from Native Earth and Soulpepper was a thought provoking look at the the idea of “home”. MixTape at Crow’s Theatre explored the variegated nature of relationships through the medium of the once ubiquitous mix tape. And on a more conventional note there was a rearranged at short notice recital at Koerner hall that showcased the extremely talented Davóne Tines. Continue reading
What is home? Where is home? The Home Project; a joint production of Native Earth Performing Arts and the Howland Company presented by Soulpepper, addresses these questions through three actors personal visions reflecting, in their own way, three aspects of the Canadian experience. The stories are interwoven on a simple set of moving boxes and a few pieces of furniture. The sound stage is more important than the physical stage and aural effects; well handled considering we are outside and there’s plenty of background noise, are crucial.
operaramblings 