Cozy enough

The Toronto production of Against the Grain’s A Little Too Cozy opened last night at Studio 42 at the CBC Centre.  It’s the third and final instalment in the series of Ivany/Mokzrewski adaptations of the Mozart/da Ponte operas, following on from Figaro’s Wedding and #UncleJohn.  Like the earlier pieces it’s updated, site specific and makes a lot of references to social media.  The schtick here is that it’s a reality TV dating show.  Dora and Felicity are yet to meet Elmo and Fernando in the flesh though they have become engaged via social media and through the prior episodes of the show.  Tonight is the season finale and there is one big test left.  Can they be tempted by two strange men?  Show host Donald L. Fonzo and girl handler Despina will make sure they are maximally tempted.  The rest you can work out.

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Maometto II

Rossini’s rarely performed opera seria Maometto II opened at the Four Seasons Centre last night in a production by David Alden and with substantially the same cast as when it played in Santa Fe on 2012.  This is the restored Maometto in the edition prepared by Hans Schellevis in an attempt to get as close to Rossini’s initial Naples score as possible.  So, no happy ending and all the complexity of Rossini’s original design.

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A Little Too Cozy

So the cat’s out of the bag.  The long awaited where, when and who of Against the Grain’s Toronto run of A Little Too Cozy have been revealed.  A Little Too Cozy is the third and final instalment in a trilogy of Mozart “transladaptations” developed by AtG, which place the works in appropriate, non traditional opera, venues and which use English language librettos by Joel Ivany bringing the stories into a contemporary context.  The first two instalments; Figaro’s Wedding and #UncleJohn, sold out their Toronto runs.

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Ensemble Studio Marriage of Figaro

Once a season the young artists of the COC’s Ensemble Studio get to perform one of the company’s productions on the main stage of the Four Seasons Centre.  Last night it was the Claus Guth production of The Marriage of Figaro.  I’ve said enough about the production already here and here so let’s cut to the chase.

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Marriage of Figaro preview

Today’s lunchtime concert in the RBA involved members of the cast of the Ensemble Studio performance of Marriage of Figaro in a semi-staged series of excerpts from the opera.  The Ensemble Studio annual stage performance is always worth seeing and this year I think it’s going to be a real treat.  Highlights today included Gordon Bintner’s Count.  The guy can sing but here there was a swagger that should be just perfect for the Guth production.  Jacquie Woodley’s Cherubino was utterly brilliant.  Aviva Fortunata nailed Porgi amor, so often a disappointment I find.  And I really liked Karine Boucher’s Susanna.  She’s not always been a favourite of mine but her slightly dark for a soprano tone seemed really well suited to this music and blended especially well with Aviva.  Ian MacNeil impressed too as Figaro, though it’s a role that’s a bit downplayed by this production, and I shall be curious to see what he does with it in the full version.  Megan Latham, Jean-Philippe Fortier-Lazure and Aaron Sheppard rounded out today’s cast with the indefatigable Hyejin Kwon on piano.  If you don’t yet have tickets for the performance on the 22nd I strongly suggest getting some.  They are only $22 or $55 for the best seats.  As Claire Morley said in her introduction this could be an event that’s talked of for years to come.

And so it begins

Yesterday saw the first free concert of the season in the Richard Bradshaw Amphitheatre.  It was a chance to see the 2015/16 Ensemble Studio; two new singers, one new pianist and six singers and a pianist from last year.  The format was one aria per singer with few surprises.  We also got to hear the core quartet casting for the Ensemble Studio performance of Le Nozze di Figaro later in the season.  No surprises there either; Il Conte – Gordon Bintner, Iain MacNeil – Figaro, La Contessa – Aviva Fortunata, Susanna – Karine Boucher.  That leaves four tenors for the other roles…

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France Bellemare; a soprano to watch

Today saw the annual lunchtime concert in the RBA in which members of the COC Ensemble Studio collaborate with visitors from the Atelier lyrique de l’Opéra de Montréal.  There were three singers from each program but rather unusually only one of them was female; soprano France Bellemare.  Naturally I was rather focussed on the visiting singers as the three Toronto participants; Gordon Bintner, Clarence Frazer and Andrew Haji are very much known quantities.  Of the visitors it was very much Ms. Bellemare who shone.  She has a very accurate, lovely rich voice with perhaps still some work to do on the top of her range but very easy to listen to and she’s musically and dramatically convincing too.  Her version of Micaëla’s Je dis que rien ne m’épouvante was very competent though I’m not sure it’s ideal rep for her.  The Song to the Moon from Rusalka though fitted her like a glove.  This was really lovely singing.  She also did very well in duet with Clarence Frazer in Lippen schweigen from Die Lustige Witwe or The Merry Widow or La Veuve Joyeuse as all three languages were used!  She can waltz too though perhaps not as well as Clarence.  Ladies, if you need a dance partner consider Mr. Frazer.  She also shone in the final number; the Libiamo from La Traviata.  I confess when I saw the program and saw that she would be partnered by Andrew Haji I rather expected her to be sung off the stage.  She wasn’t.  She held her own with a tenor who will sing this role on the COC’s main stage next season.  No mean feat.  This young lady is definitely one to watch.

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The guys have it

Last night saw the second annual Centre Stage at the COC.  It’s described as the “Ensemble Studio competition gala”, which is pretty much what it has become.  It’s a dressy occasion and busier this year than last.  Bussing in the claque from the University of Toronto upped both the noise level and the “beautiful young people” content.  The competition itself is fairly conventional in that all the singers get to sing two arias of their choice.  What’s a little different is that the accompaniment is the full COC Orchestra and as well as the jury prizes there’s an audience choice award facilitated by some neat electronics.  Then of course there’s always the issue of a place in next year’s Ensemble Studio.

Ensemble Studio Competition finalists and winners with Centre Stage host Ben Heppner

Ensemble Studio Competition finalists and winners with Centre Stage host Ben Heppner

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Line up for Centre Stage

The line up for Centre Stage; the final auditions for the COC Ensemble Studio has been announced.  The seven singers are:

  • Mezzo-soprano Zoe Band (Toronto)
  • Soprano Eliza Johnson (Stratford, Ont.)
  • Baritone Dimitri Katotakis (Toronto)
  • Baritone Nathan Keoughan (Charlottetown)
  • Tenor Aaron Sheppard (St. John’s, N.L.)
  • Mezzo-soprano Michelle Siemens (Calgary)
  • Tenor Charles Sy (Toronto)

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