The final concert in this years Soundstreams TD Encounters series took place at Hugh’s Room on Monday evening. It was themed around the work of Arvo Pärt with two of his works and two connected pieces featured. It begun wit his Es sang vor langen Jahren; a setting of Clemens Brentano’s poem “Der Spinnerin Nachtlied”. It was sung by soprano Xin Wang accompanied by Erika Raum on violin and Sheila Jaffe on viola. It’s quite a lyrical piece with an almost Schubertian vocal line and characteristically minimalist instrumentals. Nicely done. Continue reading
Tag Archives: pidgorna
Invented Folksongs
Invented Folksongs is a set of four pieces by Anna Pidgorna inspired, rather than based on, traditional Ukrainian folk songs collected by her in the field and recorded by her with the Ludivico Ensemble. My review is now available at La Scena Musicale.
Catalogue information: Redshift Records TK557
The Enticing Sky
Saturday afternoon at 27 North Sherbourne Rachel Krehm and Janelle Fung presented an art song recital entitled The Enticing Sky. The material chosen was interesting with a heavy bias to women composers, living composers and Canadian composers; sometimes all three at once.
We got extracts from Come Closer; settings of the poetry of Elizabeth Krehm by Ryan Trew, Ethel Smyth’s Three Songs of the Sea, Dorothy Chang’s Songs of Wood and Water, Anna Pidgorna’s Amphráin Eibhlín (the only non English language text) and Cecilia Livingston’s luna premit. Continue reading
Mirror, Mirror
Mirror, Mirror is a fifteen minute film from Essential Opera based on a score and libretto by Anna Pidgorna. There’s a lot to unpack for a fifteen minute work! First off, let’s be clear that this is a film and not a video of a performance or production that might have had a live audience. It’s shot on location in Nova Scotia; on the beach, in the forest etc. And it’s done very well with excellent editing and high quality in the audio and video recording.

News roundup
Tonight Essential Opera have a short livestream of a new creation. It’s a fifteen minute piece on the theme of Snow White called Mirror, Mirror. Words and music are by Anna Pidgorna. It’s being screened on Youtube and Facebook at 7pm EST.
Tapestry Opera is offering a full-time, paid, multi-year professional opportunity to female-identifying and non-binary music directors and conductors in partnership with Pacific Opera Victoria and leading orchestral partner the Toronto Symphony Orchestra, collaborating with over 10 other Canadian opera companies and orchestras for national placements. All the details on the programme and the application process are here.
The Royal Conservatory of Music have announced a metric shedload of cancellations, alterations and postponements relative to their 2020/21 season. All the details are here. In any event, if you were planning on seeing anything live or via webstream from the RCM I’d double check!
Suzie Leblanc has a new website. You can check it out here.
Bring me the head of Carla Huhtanen
A concert of contemporary works for accordion? Why not! Well it was more of a concert of contemporary works for fixed reed instruments with, ironically, Trinity St. Paul’s most impressive fixed reed instrument forming an unused but imposing backdrop to the proceedings. Things started off conventionally enough with Soundstreams’ Artistic Director Lawrence Cherney on stage with three players of different instruments describing their histories and properties and then mild Hell broke loose as a curiously clad Joseph Macerollo burst into the auditorium, ejected Lawrence and friends and launched into R. Murray Schafer’s performance piece La Testa d’Adriane; the tale of a head mystically preserved between life and death. At this point the purpose of the rather bizarre contraption on stage was unclear but soon enough the cloth was pulled back to reveal Carla Huhtanen, or her head at least. More accordion and speech from Macerollo and a bizarre collection of grunts, squeaks, shrieks and gurning from Carla followed. Madness or genius? It’s Schafer. The question is unanswerable.