Not so long ago I reviewed a production of Prokofiev’s The Fiery Angel and described it as “so bonkers that I hardly know how to describe it.”. So what to say about one that I found even less satisfying? First, for plot details check out the earlier review. Now for this version directed by Andrea Breth and filmed at the Theater an der Wien in 2021 without an audience but with no other obvious concessions to COVID.
Stanisław Moniuszko’s Halka is sometimes regarded as Poland’s national opera. It’s one of those mid 19th century works that tries to create some kind of national idiom broadly within the framework of the musical style of the age (the composer was conservatory trained in Berlin). It’s really quite good but rarely performed outside Poland so it’s interesting to look at it, especially in a rather good production by Mariusz Treliński that was given and recorded at Theater an der Wien in 2019.
Aida Garifullina is a young lyric soprano of Tatar origin who already has some interesting achievements under her belt. She played Lily Pons in the Florence Foster Jenkins movie, placed first at Operalia in 2013, has sung a string of -ina roles at the Marinsky and is currently a member of the ensemble at the Wiener Staatsoper. She’s also done concert work with the likes of Dmitri Hvostorovsky and Andrea Bocelli. Now she’s released a debut CD called Aida Garifullina recorded with the ORF Radio-Symponieorchester Wien and Cornelius Meister.