Tag Archives: maddalena

Not a DVD review

Posted on by
6

Nixon in China at the COC

There are an awful lot of opera DVDs about.  It sometimes seems like there’s a new Tosca or Traviata out every week, often for no apparent reason.  It’s perhaps surprising then that some works don’t make it to DVD.  One particularly egregious case would seem to be John Adams’ Nixon in China.  It’s a good piece and has had plenty of productions both in North America and elsewhere.  A couple of years ago I saw it twice in 24 hours; on a Friday evening at COC followed by the HD broadcast from the Met the following afternoon and I’ve been listening to an audio recording of the COC version on my walk to and from work.  But there’s no DVD!  I guess that the Met probably planned to release the HD recording but James Maddalena, the Nixon in the recording, was so obviously ill I was actually surprised that he continued after the interval and I guess that scuppered that. Continue reading →

You should have hoped us

Posted on by
1

I’ve watched John Adams’ Doctor Atomic three times now. The first time; a MetHD broadcast, I wasn’t impressed at all.  The second time; an AVI rip of the Dutch television broadcast, I started to come around.  Having now watched the Opus Arte DVD based on the Dutch TV broadcasts I’m converted.  This piece is every bit as good as Nixon in China and probably surpasses it in emotional impact due to the more visceral nature of the material.  The orchestral writing is classic Adams.  The musical argument is swept along on a strong rhythmic pulse and overlapping waves of colour.  In contrast the vocal line often seems duller though there are passages of great lyricism, notably Oppenheimer’s big Act 1 aria Batter my heart, three personed God.  Kitty Oppenheimer and the native woman, Pasqualita, also get some good singing.  I also found myself warming to the libretto.  Some rather self conscious passages of Donne and Baudelaire aside, it lacks the poetry of Goodman’s libretti for Adams but Peter Sellars’ selection of words taken from the documentary record is, in its way, quite compelling; reflecting the mix of high and banal concerns that people under great tension express.  It’s particularly interesting to see the relatively high level of respect for and confidence in the moral judgement of politicians displayed by the scientists.  One doubts whether that would be the case today.  In total, it’s a strong additiion to the repertoire of 21st century operas.

Gerald Finley (Oppenheimer) and Richard Fink (Teller) do physics

Continue reading →