Tag Archives: lyon

Threepenny Submarine

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Threepenny Submarine is a nine episode puppet animation series of videos on Youtube inspired by the idea that most of us got at least some of our exposure to classical music as kids from Looney Tunes and other cartoons.  It’s produced by Opera 5 and Gazelle Automations and concerns an underwater journey by the submarine Threepenny Submarine investigating a mysterious sound coming from the equally mysterious Salieri Sector.  The sub is commanded by a cockatiel called Iona (voiced by Lindsay Lee and sung by Caitlin Wood) assisted by a fox called Lydian (voiced and sung by Rachel Krehm).  They befriend a “sea monster” called Flute, represented, appropriately enough, by Amelia Lyon on flute.  Various adventures take place punctuated by well known arias using new text by Rachel Krehm.  For example, the first episode features “Una voce poca fa” and “Dich, teure Halle” in arrangements for string quartet.  There are also classical instrumentals used as incidental music.  It’s all arranged by Trevor Wager and directed by Evan Mitchell.

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Theodora with a twist

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I don’t often get deeply emotionally affected by an opera video.  Generally it’s less immersive than a live performance in a way that  diminishes emotion.  That wasn’t my experience though with the 2022 recording of Handel’s Theodora from the Royal Opera.  Admittedly Theodora is an opera I can get very emotionally involved in but Katie Mitchell’s production really did get to me.

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Kitchen sink duly chucked

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There’s a pretty good “making of” extra with the 2013 Glyndebourne recording of Rameau’s rarely performed Hippolyte et Aricie.  In it, director Jonathan Kent argues that there are essentially two ways of dealing with the French baroque; elegance or “throwing the kitchen sink at it”.  To this one might add a weird pastiche of bare chests, stylized gesture and high camp but that’s another story.  My best experiences with Rameau have definitely been of the kitchen sink variety.  I’m thinking of productions like José Montalvo’s Les Paladins.  Kent is a bit more restrained but still pretty inventive which I think is necessary as Hippolyte et Aricie is rather episodic and fragmented and could use some livening up.

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Elegant and Powerful Ulisse

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Monteverdi’s Il ritorno d’Ulisse in patria hasn’t proved as popular as his other late work L’incoronazione di Poppea but, given as compelling a performance as it got at the Teatro Real, it’s a bit hard to see why that is.  On this 2007 recording we have an elegant and interesting production by Pier Luigi Pizzi, an excellent cast headed by Kobie van Rensburg and Christine Rice and the incomparable William Christie and his Les Arts Florissants.  It’s a compelling package.

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It’s a mystery

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Given all the myriad versions of Le Nozze di Figaro in the DVD catalogue (eighteen currently available) why would anyone bother with a bog standard version in 18th century dress and with a cast that probably aren’t household names in their own households?  Who (apart from the Toronto Public Library) would buy such a thing?  Anyway, that’s pretty much what you get on the 1994 Lyon recording.  To be fair, there’s nothing wrong with it.  If you saw it live in Winnipeg or Edmonton you probably would feel that you had had an OK night at the opera but why a DVD release?  It’s a mystery!