The Far Side of the Moon

The Far Side of the Moon opened at Canadian Stage on Saturday evening.  It’s a Robert Lepage production; written, designed and directed by him.  It’s very Lepage with the strengths and weaknesses one might expect.  We will come to that in more detail.  It’s a homage to Lepage’s childhood obsession with the US and Soviet space programmes and to the moon in general.  It plays out in two parallel narratives; the space programmes from Sputnik 1 to the Apollo Soyuz mission in 1975 and the tale of two brothers in Quebec City circa late 1990s.  The older is an introverted nerd working on a doctoral thesis about popular perceptions of the space programmes and narcissism.  The younger brother is a presenter for the Weather Channel and is shallower than the water over Dogger Bank at low spring tide.  Their mother has just died and they are clearing out her apartment in an Old People’s Home.

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Ruckus at the Revival

The second Ruckus at the Revival from Opera Revue was subtitled “The Parody Edition” and with the odd exception that’s what it was.;  Music by Mozart, Sullivan, Delibes and more supported witty lyrics about Opera Revue’s perennial bêtes noires.  Doug Ford (and all his little Satanic demons), the TTC, the housing crisis, Toronto drivers and the rest got exactly what they deserved to the audience’s approval and delight.  Most of the words and a good deal of the singing here from Opera Revue stalwarts Danie Friesen and Alex Hajek.

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mouvance

mouvancemouvance is a CD of music by Jerome Blais performed by Suzie LeBlanc (soprano), Eileen Walsh (clarinets), Jeff Torbert (guitars), Norman Adams (cello) and Doug Cameron (percussion).  At first glance it looks like a set of songs or maybe a song cycle in the sense that it sets a series of French texts by various writers.  In fact it has its origins in a multi-media show about, to quote Blais, “the universal themes of movement, migration and uprooting”. I think this is why I found it more satisfying to think of it as an integrated whole because there’s really no sense of separation between the “songs”. Continue reading

The COC at Harbourfront

harbourfrontOn Saturday evening the COC presented a teaser concert for their 2023/24 season on the outdoor stage at Harbourfront.  The weather stayed fair and there was no more than the usual aural background to distract a little from the music.  The full orchestra under Johannes Debus was on display along with half a dozen members of the Ensemble Studio.

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Die Fledermaus revived at TOT

Toronto Operetta Theatre opened a run of Johann Strauss’ Die Fledermaus at the St. Lawrence Centre yesterday.  It’s a revival of their 2018 production and I don’t think my opinion of the production has really changed.  The jokes have been updated a bit; mostly to reflect the anticipated imprisonment of a certain former US president (I wish!).  But basically the schtick is the same.

Scott Rumble as Alfred, Kirsten LeBlanc as Rosalinda

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News roundup

mirrormirrorTonight Essential Opera have a short livestream of a new creation.  It’s a fifteen minute piece on the theme of Snow White called Mirror, Mirror.  Words and music are by Anna Pidgorna.  It’s being screened on Youtube and Facebook at 7pm EST.

Tapestry Opera is offering a full-time, paid, multi-year professional opportunity to female-identifying and non-binary music directors and conductors in partnership with Pacific Opera Victoria and leading orchestral partner the Toronto Symphony Orchestra, collaborating with over 10 other Canadian opera companies and orchestras for national placements.  All the details on the programme and the application process are here.

The Royal Conservatory of Music have announced a metric shedload of cancellations, alterations and postponements relative to their 2020/21 season.  All the details are here.  In any event, if you were planning on seeing anything live or via webstream from the RCM I’d double check!

Suzie Leblanc has a new website.  You can check it out here.

Mélodies Passagères

melodiespassagereMélodies Passagères is a new CD from Montreal based duo soprano Marianne Lambert and pianist Julien LeBlanc.  Toronto folks may remember the latter as the music director/pianist for Against the Grain’s Pelléas et Mélisande a few years ago.  The selection of songs; by Barber, Bizet, Delage, Delibes, Granados, Lavallée, Massenet and Paladihle, is intended to evoke escaping, journeying, dreaming and sensuality and it does that pretty well.  Most of the pieces are not particularly well known though there are a few chestnuts like Bizet’s Les adieux de l’hôtesse Arabe and Délibes’ Les filles de Cadix.

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Ensemble Studio Competition 2019

The Ensemble Studio Competition again last night.  Seven singers were competing with Ben Heppner’s jokes for cash prizes, champagne and, possibly, a place in the COC Ensemble Studio.  There’s one thing I think is vital to understand about the Ensemble Studio Competition.  The judges have been working with the singers for a week.  The audience gets to hear them sing one aria.  It’s easy to see why there isn’t always concurrence between the hall and the judging table.  (That’s my excuse anyway).

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The contestants with Alexander Neef and Johannes Debus

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Centre Stage line up

The Canadian Opera Company’s ninth annual Ensemble Studio Competition is being held on October 30, 2019 at the Four Seasons Centre for the Performing Arts. The 2019  finalists are: sopranos Kirsten LeBlanc (Moncton, NB), Midori Marsh (Cleveland, Ohio), and Charlotte Siegel (Toronto, ON); mezzo-soprano Sarah Bissonnette (Boucherville, QC); tenor Marcel d’Entremont (Merigomish, NS); bass-baritone Alex Halliday (St. John’s, NL); and bass Brenden Friesen (Langham, SK).

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Participants for Centre Stage announced

The seven finalists for the COC’s Centre Stage have been announced.  Centre Stage is a singing competition and gals that serves as a sort of final audition for the following year’s Ensemble Studio, a contest for cash prizes and a beano for the rich.  This year it’s being held on November 3rd when, unfortunately, I shall be overseas.  So, no report here.  The finalists are baritone Samuel Chan (Calgary); soprano Maria Lacey (St. John’s, N.L.); soprano Myriam Leblanc (Saint-Lazare, Que.); soprano Andrea Lett (Prince Albert, Sask.); mezzo-soprano Simone McIntosh(Vancouver); soprano Andrea Núñez (Markham, Ont.); and baritone Geoffrey Schellenberg (Vancouver).

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Last year’s contestants with the Lieutenant Governor

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