I’m not generally a huge fan of Broadway style musicals though when they have more than average dramatic and musical depth I can be up for it. Cabaret and Candide are favourites for example; combining fairly sophisticated music with social content. I’m also, as regular readers may have noticed, intrigued by Yiddish music and Yiddish culture generally. So, I was really quite intrigued to experience Fiddler on the Roof in Yiddish which opened at the Elgin Theatre on Thursday evening.
Yesterday’s concert in the Songmasters Series at Mazzoleni Hall featured Mireille Asselin and Brett Polegato with Peter Tiefenbach and Rachel Andrist in a program of songs more or less related to painting and painters. The first half of the program was all French; Fauré and Debussy. Mireille and Peter gave us two songs from Fauré’s Cinq mélodies de Venise plus three pieces from Debussy’s Fêtes galantes and Pantomime from Quatre chansons de jeunesse. I thought the Debussy generally suited Mireille’s voice rather better than the Fauré. The first three songs were beautifully and charmingly sung while Pantomime gave full rein to Mireille’s considerable comedic talents. The highlight of the first half for me though was Brett’s singing of the Poulenc work that gave the concert its title. Seven songs by Paul Eluard; each a brief portrait of a painter. Written at the same time as Dialogues des Carmélites, these pieces have the same sort of intensity and drive (and decided non trivial piano parts!). They were most expertly sung with fine diction and legato and a keen sense of the varied moods of each piece.
operaramblings 