Korngold’s Silent Serenade is, to put it mildly, odd. The plot could have been taken from Dario Fo and the only possible excuse for the schmaltzy music is that Korngold initiated many of the saccharine clichés he relies on. Last night the students of the Glenn Gould School under the direction of Joel Ivany and the musical leadership of Pieter Tiefenbach bravely tried to rescue it from well deserved obscurity.
The plot concerns a dressmaker who is accused of breaking into the bedroom of, and trying to abduct, one of his clients; an actress who happens to be engaged to the Prime Minister. In Naples this is a hanging offence. Meanwhile someone has made an unsuccessful attempt to assassinate the unpopular Prime Minister with a bomb. The king is dying and, we learn from his confessor, wishes to make a great act of mercy before he finally snuffs it. He wishes to pardon the bomber. Unfortunately the police don’t have a suspect. The solution is obvious. The dressmaker must confess to both crimes so that he can be pardoned and hanged for neither. Unfortunately the king dies before signing the pardon and so the dressmaker must hang. Following this so far? Fortunately for him the unpopular Prime Minister is killed in a popular uprising and he is installed in his stead much to the annoyance of the anarchist who did plant the bomb. They agree that the dressmaker will return to his salon and the actress, who has now fallen in love with him and is, conveniently, no longer engaged. There’s also a subplot concerning a newspaper reporter and an aspiring actress.