Bimbos in Space from Femmepire Theatre is currently playing at Factory Theatre as part of Summerworks. It’s the first play I’ve seen where the content warnings included BDSM and cannibalism! It’s billed as a homage to sex workers and trans people and riffs off every cliché of the B sci-fi horror genre.
Back to Summerworks on Wednesday night, this time at the Theatre Centre, to see a double bill of works derived (loosely) from Shakespeare plays. Both works were experimental but in utterly different ways. Lady M (Margaret) is 60 minutes of carefully crafted physical theatre intended for both Deaf and hearing audiences with great attention to detail and a minimalist aesthetic. i am your spaniel, or, A Midsummer Night’s Dream by William Shakespeare by Gislina Patterson is longer at around 90 minutes and is a mad cap series of vignettes exploring Shakespeare’s punctuation, patriarchy, capitalism, life as a trans person and yoghourt among other things.
Last night’s TSO program, conducted by Gustavo Gimeno, kicked off with three short pieces by Canadian composers. All were impressive. The first two; Adam Scime’s A Dream of Refuge and Bekah Simms’ Bite are reflections (to some at extent at least) on the pandemic. The Scime piece is lighter and brighter. There is uncertainty there but ultimately it seems to speak of hope. The Simms piece wis much darker with heavy percussion and blaring brass. A sense of uncertainty permeates the string writing. It’s quite disturbing. Roydon Tse’s Unrelenting Sorrow was written for those who have lost loved ones. It’s quite melodic and has strong contrasts between dramatic and more lyrical passages. Sorrowful perhaps but not unrelentingly so.
Last night the main stage of the Four Seasons Centre was the setting for celebrating the award of the twelth Glenn Gould prize to the great Jessye Norman. There were speeches, of course, celebrating Ms. Norman’s life as a singer rising to the top of the profession from unpromising origins as well as her lifetime of educational and philanthropic endeavours. They were decently short and to the point allowing us to get onto to the music, though not before we had heard Ms. Norman’s heartfelt and very touching acceptance speech.
operaramblings 