Ode to Joy

Last night’s TSO program, conducted by Gustavo Gimeno, kicked off with three short pieces by Canadian composers.  All were impressive.  The first two; Adam Scime’s A Dream of Refuge and Bekah Simms’ Bite are reflections (to some at extent at least) on the pandemic.  The Scime piece is lighter and brighter.  There is uncertainty there but ultimately it seems to speak of hope.  The Simms piece wis much darker with heavy percussion and blaring brass.  A sense of uncertainty permeates the string writing.  It’s quite disturbing.  Roydon Tse’s Unrelenting Sorrow was written for those who have lost loved ones.  It’s quite melodic and has strong contrasts between dramatic and more lyrical passages.  Sorrowful perhaps but not unrelentingly so.

0035_Ode to Joy

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Tancredi in Schwetzingen

Rossini’s Tancredi isn’t performed particularly often but it was Stendhal’s favourite opera and it’s not hard to see why both these things are true.  It’s got some really lovely music but the plot is pretty thin and it’s hard to cast.  It needs a very versatile low mezzo/contralto for the title role and a crackerjack soprano and tenor too.  I watched it in a well cast 1992 production from the Schwetzingen festival and enjoyed it despite some frustrations with the staging and the implausibly drawn out plot of the second act.  Continue reading