Tancredi in Schwetzingen

Rossini’s Tancredi isn’t performed particularly often but it was Stendhal’s favourite opera and it’s not hard to see why both these things are true.  It’s got some really lovely music but the plot is pretty thin and it’s hard to cast.  It needs a very versatile low mezzo/contralto for the title role and a crackerjack soprano and tenor too.  I watched it in a well cast 1992 production from the Schwetzingen festival and enjoyed it despite some frustrations with the staging and the implausibly drawn out plot of the second act.  Continue reading