Meet the Orchestra Academy

Yesterday’s concert in the RBA, the first I’ve been to in a while, featured the five members of the Orchestra Academy; violinists Joella Pinto and Gloria Yip, violist Carolyn Farnand and cellists Erin Patterson and Alison Rich, with Joel Allison and Samuel Chan and Rachael Kerr on keyboards.  It was an interesting concert in many ways.  We don’t get to see the young instrumentalists much nor do we often see Ensemble members sing with a chamber ensemble.  It was also interesting to hear the contrast between Joel’s dark toned bass-baritone, often singing in a very low tessitura, with Sam’s much brighter, lighter baritone which sometimes was well up in tenor territory.

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The other Naples opera

There are two girls and two guys.  The guys are not who they appear to be.  Nobody is sure who is pairing off with who and there’s a scheming servant.  And we are in Naples.  You know the opera of course.  It’s Rossini’s L’occasione fa il ladre. It’s one of Rossini’s early one act farsi for La Fenice and it’s quite good, if very silly.  There are plenty of musical high jinks with fast paced ensembles and some wicked coloratura.  And it has an unambiguously happy ending.  You will also likely recognise some of the music as, in best Rossini fashion, he used chunks of it in later works.

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