The second Ruckus at the Revival from Opera Revue was subtitled “The Parody Edition” and with the odd exception that’s what it was.; Music by Mozart, Sullivan, Delibes and more supported witty lyrics about Opera Revue’s perennial bêtes noires. Doug Ford (and all his little Satanic demons), the TTC, the housing crisis, Toronto drivers and the rest got exactly what they deserved to the audience’s approval and delight. Most of the words and a good deal of the singing here from Opera Revue stalwarts Danie Friesen and Alex Hajek.
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Debauchery at the Dakota
So on a grungy corner of Dundas and Ossington lies a grungy cellar dive; the Dakota Tavern. It’s not an obvious place to do opera though a mash up of opera and burlesque is more plausible. And so that’s what we got from the Opera Revue crew (Alexander Hajek, Danie Friesen and Claire Harris) and four burlesque dancers.
The music was appropriately chosen; some Phantom, Don Giovanni, Carmen, some Weill plus show tunes. Basically mine the repertory for stuff that is a bit edgy and plays with ideas of sexual consent or lack of it. Ironically the goody bag that was raffled off at the interval include, apparently, an Armadildo. I say ironically because I had spent my lunchtime with the cast and crew of Colleen Wagner’s new play Armadillos which is also (at least in part) about sexual consent or lack of it. Continue reading
What a Ruckus
Ruckus at the Revival from Opera Revue lived up to the billing. It was informal, it was fun, there was booze and the average age of the audience was about COC-30. The usual suspects were joined by Liliane Brooks, Ryan Downey and Dylan Wright (looking FABULOUS darlings) and some dude called Mike with an electric guitar. Plus your favourite Warner Bros characters.
Opera revue again
Back to the Emmet Ray yesterday for another show by Opera Revue. This time Dani Friesen and Claire Harris were joined by baritone Alexander Hajek which allowed for a three set show and quite a few duets. I was really struck by how much throwing in some duets makes the whole show seem more operatic. So what did we get? There was a lot of Mozart, notably duets from Don Giovanni and The Marriage of Figaro, plus solo arias from both operas. And, of course, there was Kurt Weill from Dani. There was at least one Neapolitan songs and several musical theatre numbers (Alex looks very fetching in cat ears) and a guest singing Schumann and probably other stuff I’ve forgotten. All in all, a suitably varied and satisfying selection.
Live, half dead
Last night I went to my first evening, indoor performance since March 12th last year. And today I feel like I’ve been hit with a brick! Being out in the evening until getting home after a concert time is something my body has apparently forgotten how to do over the last year or so!

Newtubes
It seems like less on-line “opera” content is being produced as Europe prepares to return to theatres and Canada holds it breath. A few things are ongoing though and there’s fun new content from Natalya Gennadi and friends with HBD!Project April. More fine singing and stunning graphics. 
There’s also Isolation Series: Wash, Dry, Reset from Opera Revue featuring the mordant wit and musical talents of Dani Friesen, Alexander Hajek and Claire Harris, plus dish detergent and popcorn. Both are on Youtube on channels Natalya Gennadi and Opera Revue respectively.
On-line roundup
Ontario’s state of emergency seems to have slowed the production of on-line content to a trickle. The only new things I’ve seen recently are from the ever reliable Opera Revue and Alexander Hajek.
Opera Revue’s eighth isolation production features five pieces from Frank Horvat’s Music for Self Isolation; a set of thirty one short pieces for one or two musicians written last spring. The concert features the five pieces with a vocal part. I have to say I liked the texts; taken from various sources, more than the music. The music is sort of “singer sonwriterish”; simple, tonal, melodic, a bit repetitive. It’s fine of its type but it’s not my bag. Performances by various combos of sopranos Emily Ding and Dani Friesen, pianist Claire Harris and guitarist Michael McKenzie are very nice though and the recording; despite being done via Zoom, is perfectly acceptable. The music may not be entirely my thing but I’m delighted that someone is doing projects like this. You can find it on Opera Revue’s channel on Youtube.
Alex Hajek’s contribution is another intriguing Toronto based film this time featuring Der Doppelgänger from Scubert’s Schwanengesang. It’s beautiful to look at and beautiful to listen to and, again, featurers Claire Harris on piano as well as Alex’ lovely baritone. This one’s on Youtube too. The channel is Alexander Hajek.
More from Danie and Claire
…on social distancing
Claire Harris and Danie Friesen’s take on social distancing.
plus me and my plague rat…

Ensemble Studio Competition 2019
The Ensemble Studio Competition again last night. Seven singers were competing with Ben Heppner’s jokes for cash prizes, champagne and, possibly, a place in the COC Ensemble Studio. There’s one thing I think is vital to understand about the Ensemble Studio Competition. The judges have been working with the singers for a week. The audience gets to hear them sing one aria. It’s easy to see why there isn’t always concurrence between the hall and the judging table. (That’s my excuse anyway).

The contestants with Alexander Neef and Johannes Debus
