Yesterday was the second National Day for Truth and Reconciliation. The Royal Conservatory and Koerner Hall marked it with a free concert curated by Denise Bolduc, Mervon Mehta and Sarain Fox who doubled up as an extremely engaging host for the evening.
Hubert Parry’s Judith has been making something of a comeback. A new performing edition by Professor Stephanie Martin was performed at Koerner Hall by the Pax Christi Chorale in May 2015. That seems to have sparked some interest since the piece was transplanted to the Royal Festival Hall in London in April 2019 where rather larger forces presented the piece to generally good reviews. Subsequently the same forces mad a studio recording which has just been released as a hybrid SACD/CD release. If you want to know more googling “Parry Judith” will bring up a small library of articles on the “Judith Project” and how this piece has been unfairly neglected.
Driftwood Theatre’s Bard’s Bus Tour touched down at Withrow Park yesterday evening in near perfect conditions for their lightly updated musical version of A Midsummer Night’s Dream. D. Jeremy Smith’s production is cleverly constructed to cover off all the bases with a cast of only eight and with the minimal staging possible for an outdoor touring production. The updating makes the Mechanicals into Oshawa auto workers. The music is largely integral; parts of the text being set to music by Kevin Fox and Tom Lillington further adapted and performed by Alison Beckwith with support from various members of the cast. There are cuts and the whole piece runs about an hour and forty five minutes without an interval.
My DVD of Hans Werner Henze’s Boulevard Solitude arrived the day before his death at the weekend and so went straight to the top of the reviewing pile. It’s an intriguing piece. It’s based on the same Abbé Prevost novel as all the other versions of Manon but updated to the period of composition (1952) and told from the viewpoint of des Grieux rather than Manon. In this version des Grieux picks Manon up at a railway station while she is on her way to finishing school in Lausanne. They run away to Paris but des Grieux is broke and Manon’s brother pimps her to a rich old man, Lilaque. The brother robs the old man’s house which gets them both kicked out. Manon has a brief fling with des Grieux before her brother pimps her out again; this time to Lilaque’s son. By this time des Grieux has a pretty serious cocaine problem. The cocaine, naturally, is supplied by Lescaut. Lescaut is in the process of stealing a painting from Lilaque fils when Lilaque père shows up. Lescaut hands Manon a gun and she kills the old man. In the last scene we are back at the railway station where a disconsolate des Grieux waits for one last glance at Manon as she is taken to prison.