Well it took me a while to get hold of a copy of the third of the Harnoncourt Mozart/da Ponte operas. It is, of course, Così fan tutte and like the previous two operas is semi-staged at the Theater an der Wien. Also like the previous two there’s about an hour documentary which in this case consists almost entirely of rehearsal footage. It’s well worth watching though there is some obvious overlap with the previous two and most of what I would say about it I already did in my review of Le nozze di Figaro which I recommend reading along with this one.
Nikolaus Harnoncourt’s 2014 cycle of the Da Ponte operas continues with Don Giovanni. The recording has much in common with his Le nozze di Figaro, even down to the same essay in the booklet, and I’m not going to repeat what I wrote in that review. If you haven’t read it, I recommend a look before reading the rest of this.
Back in 2014 Nikolaus Harnoncourt launched a project to present all three Mozart/da Ponte operas, concert style, on the stage of the Theater an der Wien in a single month. They are now being released on DVD/Blu-ray. The first is Le nozze di Figaro and it comes with a 52 minute documentary by Felix Breisach; Nikolaus Harnoncourt – Between Obsession and Perfection – part 1.
I think I’ve got used to David McVicar productions or, at least, what he’s produced in the last ten years or so. The director’s notes will sound erudite and convey the impression that he’s gained some vital new insight into a well known work. The actual production on stage will be almost entirely conventional with maybe the odd visual flourish but nothing to start the synapses firing. This is very much the case with his 2015 production of Die Entführung aus dem Serail from Glyndebourne. The “big idea” is that Bassa Selim is caught between two worlds; the ‘west” and the “east”. Well duh! This is as revelatory as pointing out that Mimi has TB. This “revelation” is the reason/excuse for presenting the work with dialogues unaltered and uncut. This is very much a mixed blessing. Yes, it does allow some character development that’s otherwise missing but on the other hand it emphasises the fact that without some interesting new angle Entführing is basically dramatically a bit feeble. Is she faithful? How dare he doubt it? Please forgive me. Why should I? Lather, rinse, repeat. Enter Osmin. Hang them. Impale them. Daggers and poison. Over and over.