Nikolaus Harnoncourt’s 2014 cycle of the Da Ponte operas continues with Don Giovanni. The recording has much in common with his Le nozze di Figaro, even down to the same essay in the booklet, and I’m not going to repeat what I wrote in that review. If you haven’t read it, I recommend a look before reading the rest of this.
What is this anguish that each of us carries inside? That’s the central question of Thomas Larcher’s chamber opera Das Jagdgewehr that premiered at the Bregenz Festival in 2018. It’s based on a 1949 novel by Yasushi Inoue about a hunter, the three women in his life and the poet to whom he sends the women’s letters. It’s a stark, intense tale of love, death, secrecy, loss and betrayal told in a prologue and eleven scenes over about an hour and a quarter.