Coming up in December

december2024Here’s what’s coming down for the holiday season, as best I know:

  • December 3rd sees the Ensemble Studio performing a lunchtime concert in the RBA.
  • Soundstreams has a concert called Invocations on December 5th at the Jane Mallet Theatre.
  • Also on the 5th Oraculum opens at Buddies in Bad Times.  Previews are the 1st and 3rd and the run extends to the 15th.
  • On the 8th Opera Revue have BACH Humbug at the Redwood; the antidote to holiday music.
  • Confluence have their annual Young Associate curated gig at Heliconian on the 10th.
  • VOCES8 are appearing at Koerner Hall on the 13th.

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The Ensemble Studio kicks off a new season

Wednesday lunchtime saw the members of the COC’s Ensemble Studio kick of the free concert series season in the RBA.  It was good.  Pianists Brian Cho and Mattia Senesi started off in fine style with a four hands version of the overture to The Barber of Seville and then it was on to the singing.

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September 2024

sept2024Well late August has been a bit thin in terms of live performances but September. sees things back with a bang.

    • Opera Revue has a Verdi and Weill show at the Redwood Theatre.
    • Coal Mine Theatre is opening with Annie Baker’s Infinite Life which played to rave reviews in London and New York.  Previews are on the 6th to 8th with opening on the 10th.  The play runs until the 29th.
    • Crow’s opens their season with Ibsen’s Rosmersholm.  Previews run from the 3rd to the 10th with opening night on the 11th.  The run continues to October 6th.

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Excellent Don Pasquale from the Ensemble Studio

Tuesday night at the Four Seasons Centre it was the turn of the Ensemble Studio cast to give us Donizetti’s Don Pasquale.  It’s the same Barbe et Doucet production of course but director Marilyn Gronsdal, conductor Simone Luti and an excellent cast definitely gave it their own twist.  Everybody seemed to have their own bit of business that we didn’t see on opening night and they all worked.

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La France au printemps

france 2Thursday’s concert by members of the Ensemble Studio in the RBA was an all French affair (at least as far as language went) and it was rather good.  Karoline Podolak iniated proceedings with Mattia Senesi at the piano with Kurt Weill’s “Youkali”.  Now I’ve heard this sung by everybody from Barbara Hannigan to Benjamin Appl and I’d have to see that Ms. Podolak is right up there.  There was no male stripper though.

Korin Thomas-Smith has something of a penchant for the bizarre and I think that’s a fair description of two sets drawn from Apollinaire’s Bestiaire.  There were five of the Poulenc settings (about as far from Dialogues of the Carmelites as one could imagine) and six from Rachel Laurin’s more atonal and abrasive settings.  I would probably sing these songs if I had four dromedaries and could sing.  Fine work from Brian Cho at the piano. Continue reading

Looking ahead to March

march2024First some additional February shows

  • On the 23rd at Harbourfront Centre Art of Time Ensemble are presenting Music from the Weimar Republic.
  • On the 25th VOICEBOX have a concert performance of Verdi’s Ernani at the St. Lawrence Centre.

Opera

  • Opera York are presenting Verdi’s Rigoletto at the Richmond Hill Centre for the Performing Arts on March 1st and 3rd.
  • March 14th to 17th UoT Opera are doing Massenet’s Cendrillon at a to be determined location.
  • March 20th and 22nd at Koerner Hall, the Glenn Gould School spring opera is Poulenc’s Dialogues of the Carmelites.  That one has me excited!

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Winter Celebrations

DI-08628My usual reaction to holiday season concerts is (polite version) “Bah humbug”.  The less polite version involves reindeer placement.  That said Thursday’s concert from the COC Ensemble Studio was really rather enjoyable.

It opened with Brian Cho and Mattia Senesi doing a four hands version of “Dance of the Sugar Plum Fairy”.  Regrettably they didn’t dance.  I guess Korin Thomas-Smith could have filled that role as later in the day he showed some very cool moves but that’s another story.

There was Handel of course; Queen Hezumuryango with “O Thou that Tellest Good Tidings to Zion” and Wesley Harrison with “Ev’ry Valley”.  Both of those featured later in the day too.  But that’s another story.

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Songs of Cecilia Livingston

DI-06213Tuesday’s lunchtime concert in the RBA consisted of works by Cecilia Livingston chosen and performed by members of the COC’s Ensemble Studio. It was a fairly varied programme considering it was all works by one composer.

Quieen Hezumuryango and Mattia Senesi kicked things off with Give Me Your Hand which sets a Duncan McFarlane text exploring aspects of Lady Macbeth. It uses extended piano technique and suits the dark colours of Queen’s voice.  It was followed by Moon; an evocative solo piano piece played by Brian Cho.  Not the only time the moon would figure in the programme.

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Four voices, four hands

Monday’s concert in the RBA was made up of two song cycles for four voices with one piano played by four hands.  The first piece was the Brahms Liebeslieder Waltzes Op.52 which sets eighteen short folk songs and love poems from Georg Friedrich Daumer’s collection Polydora.  The second was John Greer’s 2001 piece Liebeslied-Lieder Op.20 which sets various playful texts exploring the foibles of love and romance by Dorothy Parker and others.

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Into December

dec23First some late calls for November:

  • The Early Music folks at UoT are doing Purcell’s Dido and Aeneas at Trinity St. Paul’s on the 21st and 22nd.
  • November 22nd and 23rd there’s a 20th anniversary concert for Autorickshaw at Heliconian Hall presented by Confluence Concerts.
  • Amici Chamber Ensemble have an afternoon concert on the 26th at Trinity St. Paul’s called The Winds of Time featuring chamber music for wind instruments from the 18th to 21st centuries.

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