Tuesday’s lunchtime concert in the RBA consisted of works by Cecilia Livingston chosen and performed by members of the COC’s Ensemble Studio. It was a fairly varied programme considering it was all works by one composer.
Quieen Hezumuryango and Mattia Senesi kicked things off with Give Me Your Hand which sets a Duncan McFarlane text exploring aspects of Lady Macbeth. It uses extended piano technique and suits the dark colours of Queen’s voice. It was followed by Moon; an evocative solo piano piece played by Brian Cho. Not the only time the moon would figure in the programme.
First some late calls for November:
Here’s what I’m looking forward to in a busy November.
The new season starts to ramp up in September. My month will start at Factory Theatre on the 7th with Mary Beath Badian’s The Waltz; a coming of age drama set in Saskatchewan. That runs until the 17th. The following night there’s a screening at the Four Seasons Centre of Atom Egoyan’s new film Seven Veils that was created in conjunction with last season’s production of Salome. A young woman is tasked with remounting her former mentor’s production of Salome. It stars Amanda Seyfried, Ambur Braid, Michael Schade and Michael Kupfer-Radecky. It’s a chance to see the film ahead of the official premier at TIFF. More details and tickets 
In another nod to normality the COC’s free concert series in the Richard Bradshaw Amphitheatre kicked off with the traditional concert with the members of the Ensemble Studio. It was reasonably well attended, which is good news. But unlike previous years one didn’t need to be there an hour early to get a seat. Which is not so good news. I’m really curious to see when and if we start to get back to pre-plague audiences.
Looking ahead to the next few weeks:
operaramblings 