Giulio Cesare at Grauman’s

The 2021 production, by Keith Warner, of Handel’s Giulio Cesare in Egitto at the Theater an der Wien uses Grauman’s Egyptian Theatre as a framing device.  Sometimes the action is clearly the actors, producers, cigarette girls etc involved in the screening of a silent German movie version of “Caesar and Cleopatra”.  Other times they are performing the action of the film/opera.  Sometimes the cinema screen shows clips from the movie.   Other times it shows pictures of the characters on stage.  For example, at the beginning of Act 2 Tolomeo, whose other persona is some kind of sleazy mafioso movie exec, is shooting up.  There’s a B&W picture of him on the screen that slowly changes to bright colours and then becomes more and more a depiction of a pretty heavy trip.

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Harnoncourt 3 – Così fan tutte

Well it took me a while to get hold of a copy of the third of the Harnoncourt Mozart/da Ponte operas.  It is, of course, Così fan tutte and like the previous two operas is semi-staged at the Theater an der Wien.  Also like the previous two there’s about an hour documentary which in this case consists almost entirely of rehearsal footage.  It’s well worth watching though there is some obvious overlap with the previous two and most of what I would say about it I already did in my review of Le nozze di Figaro which I recommend reading along with this one.

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Harnoncourt 2 – Don Giovanni

Nikolaus Harnoncourt’s 2014 cycle of the Da Ponte operas continues with Don Giovanni.  The recording has much in common with his Le nozze di Figaro, even down to the same essay in the booklet, and I’m not going to repeat what I wrote in that review.  If you haven’t read it, I recommend a look before reading the rest of this.

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