Sankofa: The Soldier’s Tale Retold is the latest and, probably, the last show from Art of Time Ensemble. It’s a bold and successful attempt at updating Stravinsky’s iconic work. The music is all Stravinsky but Titilope Sonuga’s libretto is new. It preserves the basic triad of Narrator, Soldier and the Devil but moves them to WW1 Canada. Our soldier is a Black Canadian of West African extraction who is trying to join the Canadian army, which rejects him because of his skin colour. His faith in his heritage, symbolised by the spirit bird Sankofa, with a little help from the Devil leads to the formation of the 2nd Construction Battalion, a non-combat unit, which was the only way Black Canadians could serve. He survives the war and returns from France to find that the same battles must be fought over (and over, and over) again.
Dance to the Abyss is a show of music from the Weimar Republic currently on stage at Harbourfront Centre Theatre. It’s given by Art of Time Ensemble as part of their 25th and final season.
Last night’s concert by the UoT Fall Baroque Academy was more Sesto in a Sauna then Giulio Cesare in Egitto. The music was all from Handel’s arguably greatest opera but the great man himself went unrepresented. Various mezzos and sopranos plus a counter tenor got through pretty much all of Sesto’s arias, Cleo’s big three arias were all presented and there was a smattering of Cornelia, Tolomeo and one aria from Achilla,the only low voice on display. The venue was Trinity College Chapel, notably not only for lack of air conditioning (on the hottest day of the year) but also for an acoustic that is kind to instrumental ensembles but tends to suck voices up into the high vaulted roof. Some singers coped better than others.
operaramblings 